{"version":"1.0","provider_name":"Brazilian Film &amp; Video Preservation Project","provider_url":"https:\/\/www.bfvpp.com\/en\/","author_name":"Anne Maniglier","author_url":"https:\/\/www.bfvpp.com\/en\/author\/adminanne\/","title":"Sonia Andrade: in the intimacy of the visible by Marisa Fl\u00f3rido C\u00e9sar, 2022 - Brazilian Film &amp; Video Preservation Project","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"UO9O6CYk6N\"><a href=\"https:\/\/www.bfvpp.com\/en\/ensaio\/sonia-andrade-in-the-intimacy-of-the-visible\/\">Sonia Andrade: in the intimacy of the visible by Marisa Fl\u00f3rido C\u00e9sar, 2022<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.bfvpp.com\/en\/ensaio\/sonia-andrade-in-the-intimacy-of-the-visible\/embed\/#?secret=UO9O6CYk6N\" width=\"600\" height=\"338\" title=\"&#8220;Sonia Andrade: in the intimacy of the visible by Marisa Fl\u00f3rido C\u00e9sar, 2022&#8221; &#8212; Brazilian Film &amp; Video Preservation Project\" data-secret=\"UO9O6CYk6N\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.bfvpp.com\/v2\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"How does our relationship with images take place? How does our relationship with the world mediated by images take place? How does our relationship with images mediated by technologies (like video), media (like television) and other exhibition devices (like the art system) happen? What about art images? How do we think about the external conditions [&hellip;]","thumbnail_url":"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2023\/12\/7.png","thumbnail_width":320,"thumbnail_height":320}