{"version":"1.0","provider_name":"Brazilian Film &amp; Video Preservation Project","provider_url":"https:\/\/www.bfvpp.com\/en\/","author_name":"Anne Maniglier","author_url":"https:\/\/www.bfvpp.com\/en\/author\/adminanne\/","title":"Ensaio ABG - Marisa Fl\u00f3rido C\u00e9sar (eng) - Brazilian Film &amp; Video Preservation Project","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Ik1sf4gM9I\"><a href=\"https:\/\/www.bfvpp.com\/en\/ensaio-abg-marisa-florido-cesar-eng\/\">Ensaio ABG &#8211; Marisa Fl\u00f3rido C\u00e9sar (eng)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.bfvpp.com\/en\/ensaio-abg-marisa-florido-cesar-eng\/embed\/#?secret=Ik1sf4gM9I\" width=\"600\" height=\"338\" title=\"&#8220;Ensaio ABG &#8211; Marisa Fl\u00f3rido C\u00e9sar (eng)&#8221; &#8212; Brazilian Film &amp; Video Preservation Project\" data-secret=\"Ik1sf4gM9I\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.bfvpp.com\/v2\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Anna Bella Geiger once defined her artistic process \u201cas a cross-border flux, assorted choreographies moving from one territory to another\u201d[1]. But in this flux, countless territories emerge and clash with the various borders that control them. While Anna Bella Geiger moves to clarify how these limits are drawn, she also moves in the direction of [&hellip;]","thumbnail_url":"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2023\/12\/7.png","thumbnail_width":320,"thumbnail_height":320}