{"id":2689,"date":"2022-07-18T14:08:50","date_gmt":"2022-07-18T17:08:50","guid":{"rendered":"https:\/\/www.bfvpp.com\/?post_type=artista&#038;p=2689"},"modified":"2026-01-29T12:48:30","modified_gmt":"2026-01-29T15:48:30","slug":"analivia-cordeiro","status":"publish","type":"artista","link":"https:\/\/www.bfvpp.com\/en\/artist\/analivia-cordeiro\/","title":{"rendered":"Analivia Cordeiro"},"content":{"rendered":"\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-8ccf0b9\" id=\"an-strong-alivia-cordeiro-strong\" data-block-id=\"8ccf0b9\"><style>.stk-8ccf0b9 {margin-bottom:0px !important;}.stk-8ccf0b9 .stk-block-heading__text{font-size:48px !important;}@media screen and (max-width: 1023px){.stk-8ccf0b9 .stk-block-heading__text{font-size:48px !important;}}@media screen and (max-width: 767px){.stk-8ccf0b9 .stk-block-heading__text{font-size:36px !important;}}<\/style><h1 class=\"stk-block-heading__text\">An<strong>alivia Cordeiro  <\/strong><\/h1><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-a783b07\" data-block-id=\"a783b07\"><style>.stk-a783b07 {padding-top:0px !important;padding-right:0px !important;padding-bottom:0px !important;padding-left:0px !important;margin-top:0px !important;}<\/style><p class=\"stk-block-text__text\"><strong>Brazilian, Born and based in S\u00e3o Paulo 1954<\/strong><\/p><\/div>\n\n\n\n<div class=\"wp-block-stackable-heading stk-block-heading stk--hide-mobile stk-block-heading--v2 stk-block stk-859b2fd\" id=\"bio\" data-block-id=\"859b2fd\"><h2 class=\"stk-block-heading__text\">Bio<\/h2><\/div>\n\n\n<div class=\"wp-block-image wp-duotone-unset-1\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"615\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/376-bw_analivia_cordeiro_2020.jpg\" alt=\"\" class=\"wp-image-3592\" style=\"width:447px;height:auto\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/376-bw_analivia_cordeiro_2020.jpg 750w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/376-bw_analivia_cordeiro_2020-300x246.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\"><br>\u00a9 The artist <\/figcaption><\/figure>\n<\/div>\n\n\n<p><a href=\"https:\/\/www.analivia.com.br\/\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Analivia Cordeiro<\/span><\/a> reimagined figuration for a new era.<br>The perpetual innovator refers to her approach to art making as <em>researches.<\/em> She is an accomplished academic with awards and degrees in dance, art and architecture, multimedia, computer science and semiotics. Her Phd advisor was Arlindo Machado. She completed post-doctorate work in 2010 and again in 2018 with her influential thesis, <em>The Architecture of Human Movement<\/em>.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Simultaneously, she cultivated her skills as a dancer\/choreographer in both classical and modern technique through training in S\u00e3o Paulo, New York and Paris. She focused on progressive approaches espoused by luminaries including Rudolf von Laban, Merce Cunningham and Virginia Graham. In addition to cultivating her skills as a stage performer and she continues to be a celebrated educator, lecturer and visual artist focused on digital applications for artistic expression.&nbsp;&nbsp;<\/p>\n\n\n\n<p>As the BFVPP focuses on pioneering work before 1985, what follows encapsulates her early influences and achievements. Her father, Waldemar Cordeiro (Brazilian. 1925- 1973, born in Rome) explored&nbsp;avant garde figuration in painting and neo concrete abstraction.&nbsp; He was also a leading activist intellectual and art theorist, an innovative landscape designer and author of art manifestos, journals and art criticism. During the late 1960s, this early advocate of computer science applications in the production of art, experimented with the massive IBM 360\/44, in tandem with physics professor, Giorgio Moscati. In 1971, to spotlight the interface between art and electronic technology, he produced a legendary conference and exhibition of works by international artists.&nbsp;<strong>Arteonica<\/strong> opened at Museu de Arte Brasilieira da<a href=\"https:\/\/www2.faap.br\/\" target=\"_blank\" rel=\"noreferrer noopener\"> <span style=\"color: #85c442;\" class=\"stk-highlight\">Funda\u00e7\u00e3o&nbsp;Armando \u00c1lvares Penteado<\/span><\/a>.<\/p>\n\n\n\n<p>By the early 1970s, Analivia, although still a teenager, was experimenting with dance, performance and lightworks as well as cultivating her familiarity with early computer systems.&nbsp;Her endeavors impressed several conference participants and garnered invitations to participate in international gatherings such as <strong>INTERACT Machine : Man : Society<\/strong> in Edinburgh, in August 1973. &nbsp; This request, from the international Computer Arts Society, ignited her work-in-progress. She enlisted TV (station) Cultura de S\u00e3o Paulo and UNICAMP computer center to help her realize a seminal work. <strong><em>M3x3<\/em><\/strong> (1972-1973) merged choreography, actual space and computer-driven data into a stark, stunning video installation cum kinetic sculpture \u2013 a landmark in Brazilian art which remains in demand for exhibitions to this day.<\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-85bc076 xs-large-col\" data-block-id=\"85bc076\"><style>.stk-85bc076-column{--stk-columns-spacing:0px !important;--stk-column-gap:24px !important;}@media screen and (max-width: 767px){.stk-85bc076-column{--stk-columns-spacing:0px !important;row-gap:20px !important;}}<\/style><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-85bc076-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-45611bc\" data-v=\"4\" data-block-id=\"45611bc\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-45611bc-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-45611bc-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"467\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045.png\" alt=\"\" class=\"wp-image-2569\" style=\"aspect-ratio:4\/3;object-fit:cover\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045.png 700w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045-300x200.png 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-a8a60e4\" data-v=\"4\" data-block-id=\"a8a60e4\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-a8a60e4-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-a8a60e4-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"514\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045-2.png\" alt=\"\" class=\"wp-image-2570\" style=\"aspect-ratio:4\/3;object-fit:cover\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045-2.png 700w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045-2-300x220.png 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-aa613e9\" data-v=\"4\" data-block-id=\"aa613e9\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-aa613e9-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-aa613e9-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"415\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/375-bw_analivi_cordeiro_2020_-20201027-analivia_0122_2765.jpg\" alt=\"\" class=\"wp-image-3585\" style=\"aspect-ratio:1.3333333333333333;object-fit:cover\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/375-bw_analivi_cordeiro_2020_-20201027-analivia_0122_2765.jpg 750w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/375-bw_analivi_cordeiro_2020_-20201027-analivia_0122_2765-300x166.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<p><strong>Conceptualizing M3x3 (1972-73) <\/strong>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br>In addition to the influence of her father, Cordeiro often cites the impact of very early recollections \u2013 specifically, watching a Calder mobile suspended over her crib and her encounters with a unique film. On dance class fieldtrip to the Goethe Institut, she discovered a film on Oskar Schlemmer\u2019s Bauhaus era, Triadic&nbsp; Ballet (1922) and returned to see it, repeatedly. &nbsp; Also, she studied the geometric abstractions of early 20<sup>th<\/sup> century artists such as Mondrian.&nbsp; The enduring power of M3x3, may relate to her combination of various modernisms &#8212; Concrete, Constructivist, Op, Minimal and Conceptual notions of Art &#8212; melded into more than the sum of their parts. &nbsp; Her radical figuration was not only a formal innovation.&nbsp; Edward Shanken has suggested M3x3 illuminates broader revolutionary implications. He argues Cordeiro deploys \u201cpost-colonialist female bodies to expressively contest the relationship between control and freedom in masculinist, technological society\u2026in particular, (to contest) an extreme form of control exacted by Brazil\u2019s military dictatorship.&nbsp;&nbsp;<br><br><strong>Producing M3x3&nbsp; &nbsp; <\/strong><br>Shot in a television studio, Cordeiro describes the deployment :&nbsp; \u201cthe computer-based choreographic script (is driven by) three cameras: one in front, one&nbsp; from the side, and another focused upward on a mirror located on the ceiling, positioned to parallel the floor on the set\u2026\u201d (invented to compensate for the limitations of the ceiling height). Curator Claudia Giannetti confirms, the space \u201cwas divided into nine squares (marked by black marks on white walls and floor, hence the title 3&#215;3.\u201d)&nbsp;As she had for her earlier dance performances, Cordeiro designed the costumes.&nbsp; The graphic play of black and white for background, outfits and body paint, offset the limitations of low resolution (a characteristic of early iterations of video technology and vintage film). The effect fused the space of,&nbsp; around and between dancers and their setting.&nbsp; In installation, the work is projected to absorb an actual corner.&nbsp; This invigorated dimensions in ways actual and meta, embraced by Russian constructivists. The piece was shot in \u00be Umatic video but transferred to 16mm film for the international debut (and has been digitally remastered).&nbsp;&nbsp;A metronome provided the only sound.&nbsp; Giannetti and the artist have emphasized that despite this insistent beat and pace, the dancers, \u201chaving received certain notations\u2026had a certain interpretive freedom in the transition of movement.\u201d&nbsp; To wit, in this work (human) irregularities co-exist with generative programming and computer-driven editing.&nbsp; Post industrial sensibility absorbed the chill of automatization but also informed the thrill of spontaneous innovation and randomness.&nbsp; &nbsp; &nbsp;<br><br><strong>M3x3<\/strong> recently &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<br><strong>M3x3<\/strong> endures \u2013 the work still provokes.&nbsp; In 2015, the video was awarded by&nbsp;the BEEP Electronic Arts Prize at the ARCO Art Fair in Madrid.&nbsp; There, Giannetti met the artist, which led to her retrospective at the<a href=\"https:\/\/zkm.de\/en\/presskit\/exhibition-analivia-cordeiro-from-body-to-code\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\"> ZKM <\/span><\/a>(Center for Art and Media) Karlsruhe, Germany, produced in 2022 with the godfather of media art, Peter Weibel. &nbsp; In 2023, it was featured in<br><a href=\"https:\/\/www.lacma.org\/art\/exhibition\/coded-art-enters-computer-age-1952-1982\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><span style=\"color: #85c442;\" class=\"stk-highlight\">CODED : Art Enters the Computer Age, 1952-1982<\/span><\/strong>&nbsp;<\/a> (Los Angeles County Museum of Art)&nbsp; and cited by a critic as among the most significant works in the massive show.&nbsp;Even in this era of ever-evolving digital advances, viewers respond to M3x3 and can barely resist entering the trajectory of the projector beam. The draw of Cordeiro\u2019s debut video work is rational yet ethereal, monotonous yet mesmerizing, vintage yet fresh, formal but evocative, antic but crisp, gestalt and ultimately, indelible. <br><br><strong>Beyond M3x3 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <\/strong><br><strong>M3x3<\/strong> spawned Cordeiro\u2019s further investigations into computer-generated video dance through a series of three works, under the title <strong>0\u00b0\u2039\u2014\u203a45\u00b0<\/strong> produced and modified from 1974 to 1989. The artist performs in each single-channel video, scored with William Russell\u2019s <strong><em>Fox Trot<\/em><\/strong>, conducted by John Cage. Describing <strong><em>Version III<\/em><\/strong> the artist commented :<em>It can be interpreted as a representation of the fragmented view of the human corporeal image as a consequence of the hectic lifestyle in industrial and computerized societies, coupled with the impact of the various media on the individual\u2019s perception.&nbsp;<\/em>Cordeiro produced a succession of single-channel video dance works including <strong>Gestos<\/strong>, 1975,&nbsp;<strong>Cambiates<\/strong>, 1976 and<strong> e<\/strong>, 1979. She also cultivated live dance concert performances and developed an original means of dance notation, <em>Nota-Anna<\/em>. All the while she maintained a rigorous schedule of continuing studies, lectures, writing and residencies.<\/p>\n\n\n\n<p>During the 1970s, the artist also embedded with Amazonian tribes for over two months to produce an anthropological study.&nbsp; With 35mm slides and Super 8 film she recorded their daily life, spoken language and body language.&nbsp; She focused on the stories, choreography, vocalizations and instrumentation incorporated into Kwarup &#8211; death ritual. Her documentation explored ceremonial narratives and origin stories told through characters inspired by cosmic entities and local flora and fauna.<br>She synthesized her findings, creating an (still!) authoritative archive, a book, an academic exhibition Manuara (Memory) and a documentary.&nbsp; Cordeiro also mined the experience to inform her own dance practice.&nbsp; This endeavor echoes those of other Brazilian pioneer video artists, who have enlisted various media to ponder the interface between indigenous communities and Brazilian individual, artistic and collective and national identity.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/@analiviacordeiro8707\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\"><strong>Videos<\/strong><\/span> <\/a><\/p>\n\n\n\n<div class=\"wp-block-stackable-spacer stk-block-spacer stk--no-padding stk-block stk-9a47d54\" data-block-id=\"9a47d54\"><style>.stk-9a47d54 {height:80px !important;}<\/style><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignfull bg-gray has-background\" style=\"background-color:#e5e5e5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-1e7ba57\" id=\"filmography\" data-block-id=\"1e7ba57\"><h2 class=\"stk-block-heading__text\">Filmography<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-748318f\" data-block-id=\"748318f\"><style>.stk-748318f-column{--stk-columns-spacing:0px !important;--stk-column-gap:15px !important;}<\/style><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-748318f-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-45a91ef\" data-v=\"4\" data-block-id=\"45a91ef\"><style>.stk-45a91ef-container{margin-top:12px !important;margin-right:12px !important;margin-bottom:12px !important;margin-left:0px !important;}.stk-45a91ef {align-self:center !important;}.stk-45a91ef-inner-blocks{align-items:flex-start !important;justify-content:center !important;}@media screen and (min-width: 768px){.stk-45a91ef {flex:var(--stk-flex-grow, 1) 1 66.7% !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-45a91ef-container stk--no-background stk--no-padding\"><div class=\"stk--column-flex stk-block-content stk-inner-blocks stk-45a91ef-inner-blocks\">\t\t<ul class=\"filmes\">\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_919\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tM3X3 (1973)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_928\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\t0\u00ba &#8211; 45\u00ba (1974)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_932\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\t0\u00ba &#8211; 45\u00ba- vers\u00e3o II (1974)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_937\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\t0\u00ba &#8211; 45\u00ba- vers\u00e3o III (1974 - 1989)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_941\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tKwarup (1975)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_945\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tGestos (1975)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_949\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tCambiantes (1976 - 2015)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_996\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tNota-Anna (1982\/1994)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_955\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tTrajet\u00f3rias (1984)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_961\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tSlow Billie Scan (1985)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_953\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tAr (1985)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_965\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tWearables (1989)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_967\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tMicron Virtues (1992)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_971\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tStriptease (1997)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_977\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tPerformance 0\u00b0\u2039\u2014\u203a45 (1998)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1006\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tHist\u00f3ria de Laban (1999)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1002\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tLaban Art of Movement (1999)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1008\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tDucorpo (2004)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_979\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tCarne I, II e III (2004, 2007, 2009)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1014\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tCrian\u00e7as (2005)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1018\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tDJ Mobile (2005)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1020\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tArchitecture of Movement (2006 - 2015)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_987\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tUnderstandable Fuzziness (2007)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_983\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tUnsquare Dance (2007)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_992\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tPerformance Toca \/ \u00c2ncora (2009)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1025\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tVoc\u00ea (2009)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1031\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tAlfabetiza\u00e7\u00e3o (2010)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1033\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tFolhas e troncos (2014)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-45e0ff8\" data-v=\"4\" data-block-id=\"45e0ff8\"><style>.stk-45e0ff8-container{margin-right:0px !important;margin-left:12px !important;}.stk-45e0ff8 {align-self:flex-start !important;}@media screen and (min-width: 768px){.stk-45e0ff8 {flex:var(--stk-flex-grow, 1) 1 33.3% !important;}}@media screen and (max-width: 767px){.stk-45e0ff8-container{margin-left:0px !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-45e0ff8-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-45e0ff8-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"514\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/cambiantes.png\" alt=\"\" class=\"wp-image-2574\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/cambiantes.png 700w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/cambiantes-300x220.png 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-spacer stk-block-spacer stk--no-padding stk-block stk-07963ec\" data-block-id=\"07963ec\"><style>.stk-07963ec {height:80px !important;}<\/style><\/div>\n\n\n\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-dc9258e\" id=\"bfvpp-essays\" data-block-id=\"dc9258e\"><h2 class=\"stk-block-heading__text\">BFVPP Essays<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-spacer stk-block-spacer stk--no-padding stk-block stk-c344590\" data-block-id=\"c344590\"><style>.stk-c344590 {height:50px !important;}<\/style><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignfull bg-gray has-background\" style=\"background-color:#f4f4f4\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-e92df70\" id=\"conversation\" data-block-id=\"e92df70\"><h2 class=\"stk-block-heading__text\">Conversation<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-98df85a\" data-block-id=\"98df85a\"><style>.stk-98df85a-column{--stk-columns-spacing:0px !important;--stk-column-gap:15px !important;}<\/style><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-98df85a-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-dd66c02\" data-v=\"4\" data-block-id=\"dd66c02\"><style>@media screen and (min-width: 768px){.stk-dd66c02 {flex:var(--stk-flex-grow, 1) 1 33.3% !important;}}@media screen and (min-width: 768px) and (max-width: 1023px){.stk-dd66c02 {flex:var(--stk-flex-grow, 1) 1 calc(33.3% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-dd66c02-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-dd66c02-inner-blocks\">\n<p><strong>Analivia Cordeiro<\/strong>, Rio de Janeiro, 2018<br><\/p>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-ffc364c\" data-block-id=\"ffc364c\"><p class=\"stk-block-text__text has-text-align-center\"><\/p><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-24fe95d\" data-v=\"4\" data-block-id=\"24fe95d\"><style>@media screen and (min-width: 768px){.stk-24fe95d {flex:var(--stk-flex-grow, 1) 1 66.7% !important;}}@media screen and (min-width: 768px) and (max-width: 1023px){.stk-24fe95d {flex:var(--stk-flex-grow, 1) 1 calc(66.7% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-24fe95d-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-24fe95d-inner-blocks\">\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-a3af071\" data-block-id=\"a3af071\"><p class=\"stk-block-text__text\"><\/p><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-video\"><iframe loading=\"lazy\" title=\"Analivia Cordeiro\" src=\"https:\/\/player.vimeo.com\/video\/1157519318?dnt=1&amp;app_id=122963&amp;texttrack=en\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n<\/div><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-spacer stk-block-spacer stk--no-padding stk-block stk-bc0508a\" data-block-id=\"bc0508a\"><style>.stk-bc0508a {height:50px !important;}<\/style><\/div>\n\n\n\n<div class=\"wp-block-group has-background\" style=\"background-color:#ffffff\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-f9e633c\" id=\"resources\" data-block-id=\"f9e633c\"><h2 class=\"stk-block-heading__text\">Resources<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-87b6403\" data-block-id=\"87b6403\"><p class=\"stk-block-text__text\"><\/p><\/div>\n\n\n\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-6ff86f6 xscol-2\" data-block-id=\"6ff86f6\"><style>.stk-6ff86f6 {padding-left:0px !important;margin-right:0px !important;margin-bottom:0px !important;margin-left:0px !important;}.stk-6ff86f6-column{--stk-columns-spacing:0px !important;--stk-column-gap:20px !important;}<\/style><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-6ff86f6-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-6e1e2c6\" data-v=\"4\" data-block-id=\"6e1e2c6\"><style>.stk-6e1e2c6 {padding-left:0px !important;margin-left:0px !important;}@media screen and (min-width: 768px){.stk-6e1e2c6 {flex:var(--stk-flex-grow, 1) 1 calc(20.2% - var(--stk-column-gap, 0px) * 3 \/ 4 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-6e1e2c6-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-6e1e2c6-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/zkm.de\/en\/exhibition\/2023\/01\/analivia-cordeiro-from-body-to-code\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"201\" height=\"130\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/Analiva-c.png\" alt=\"\" class=\"wp-image-3978\" style=\"object-fit:cover\"\/><\/a><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-0d96ccf\" data-v=\"4\" data-block-id=\"0d96ccf\"><style>@media screen and (min-width: 768px){.stk-0d96ccf {flex:var(--stk-flex-grow, 1) 1 calc(20.1% - var(--stk-column-gap, 0px) * 3 \/ 4 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-0d96ccf-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-0d96ccf-inner-blocks\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.lucianabritogaleria.com.br\/artists\/51\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"152\" height=\"181\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/07\/Capture-decran-2024-07-12-a-15.50.25.png\" alt=\"\" class=\"wp-image-3985\" style=\"width:auto;height:100px\"\/><\/a><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-0c6fe6a\" data-v=\"4\" data-block-id=\"0c6fe6a\"><style>@media screen and (min-width: 768px){.stk-0c6fe6a {flex:var(--stk-flex-grow, 1) 1 calc(25.9% - var(--stk-column-gap, 0px) * 3 \/ 4 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-0c6fe6a-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-0c6fe6a-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/hammer.ucla.edu\/radical-women\/artists\/analivia-cordeiro\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"230\" height=\"129\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/04\/hammer.jpg\" alt=\"\" class=\"wp-image-3036\"\/><\/a><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-23cc1ae\" data-v=\"4\" data-block-id=\"23cc1ae\"><style>@media screen and (min-width: 768px){.stk-23cc1ae {flex:var(--stk-flex-grow, 1) 1 calc(33.800000000000026% - var(--stk-column-gap, 0px) * 3 \/ 4 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-23cc1ae-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-23cc1ae-inner-blocks\"><\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-stackable-feature stk-block-feature stk-block stk-638362f stk-animate stk-animate-smooth is-style-horizontal\" data-v=\"2\" data-block-id=\"638362f\" data-stk-anim-perspective-in=\"100\" data-stk-anim-perspective-out=\"100\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatey-in=\"60\"><style>.stk-638362f {--stk-feature-flex-wrap:nowrap !important;padding-right:0px !important;padding-left:0px !important;}@media screen and (max-width: 767px){.stk-638362f {--stk-col-order-1:2 !important;--stk-col-order-2:1 !important;}}<\/style><div class=\"stk-content-align stk-638362f-column stk-container stk-638362f-container stk--no-background stk--no-padding\"><div class=\"stk-inner-blocks has-text-align-left stk-block-content stk-row\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-517e064\" data-v=\"4\" data-block-id=\"517e064\"><style>.stk-517e064-container{margin-left:0px !important;}.stk-517e064 {align-self:center !important;}@media screen and (min-width: 768px){.stk-517e064 {flex:var(--stk-flex-grow, 1) 1 calc(18% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-517e064-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-517e064-inner-blocks\">\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-1317650\" data-block-id=\"1317650\"><figure><span class=\"stk-img-wrapper stk-image--shape-stretch\"><img loading=\"lazy\" decoding=\"async\" class=\"stk-img wp-image-3974\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/ALC.jpg\" width=\"780\" height=\"488\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/ALC.jpg 780w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/ALC-300x188.jpg 300w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/ALC-768x480.jpg 768w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/><\/span><\/figure><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-d30e789\" data-v=\"4\" data-block-id=\"d30e789\"><style>.stk-d30e789 {align-self:center !important;}@media screen and (min-width: 768px){.stk-d30e789 {flex:var(--stk-flex-grow, 1) 1 calc(82% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-d30e789-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-d30e789-inner-blocks\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-bdfd03e\" id=\"analivia-cordeiro-from-body-to-code\" data-block-id=\"bdfd03e\"><style>.stk-bdfd03e {margin-bottom:0px !important;}.stk-bdfd03e .stk-block-heading__text{font-size:20px !important;font-weight:400 !important;font-style:normal !important;}@media screen and (max-width: 1023px){.stk-bdfd03e .stk-block-heading__text{font-size:20px !important;}}<\/style><h2 class=\"stk-block-heading__text\">Analivia Cordeiro : From Body to Code  <\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-bdb843b\" data-block-id=\"bdb843b\"><style>.stk-bdb843b .stk-block-text__text{font-size:14px !important;}@media screen and (max-width: 1023px){.stk-bdb843b .stk-block-text__text{font-size:14px !important;}}<\/style><p class=\"stk-block-text__text\">A pioneer of video and computer art, Analivia Cordeiro has been exploring the relationships between the body, movement, visual and audiovisual art, and media art since the early 1970s. In the context of the exhibition, ZKM is publishing an English-language monography on the artist&#8217;s work.<\/p><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-feature stk-block-feature stk-block stk-1d6eee4 stk-animate stk-animate-smooth is-style-horizontal\" data-v=\"2\" data-block-id=\"1d6eee4\" data-stk-anim-perspective-in=\"100\" data-stk-anim-perspective-out=\"100\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatex-in=\"0\" data-stk-anim-translatey-in=\"60\"><style>.stk-1d6eee4 {--stk-feature-flex-wrap:nowrap !important;padding-right:0px !important;padding-left:0px !important;}@media screen and (max-width: 767px){.stk-1d6eee4 {--stk-col-order-1:2 !important;--stk-col-order-2:1 !important;}}<\/style><div class=\"stk-content-align stk-1d6eee4-column stk-container stk-1d6eee4-container stk--no-background stk--no-padding\"><div class=\"stk-inner-blocks has-text-align-left stk-block-content stk-row\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-b6ef2ac\" data-v=\"4\" data-block-id=\"b6ef2ac\"><style>.stk-b6ef2ac-container{margin-left:0px !important;}.stk-b6ef2ac {align-self:center !important;}@media screen and (min-width: 768px){.stk-b6ef2ac {flex:var(--stk-flex-grow, 1) 1 calc(18% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-b6ef2ac-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-b6ef2ac-inner-blocks\">\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-743aa0c\" data-block-id=\"743aa0c\"><figure><span class=\"stk-img-wrapper stk-image--shape-stretch\"><img loading=\"lazy\" decoding=\"async\" class=\"stk-img wp-image-4011\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/71mb8l-CGyL._AC_UF10001000_QL80_.jpg\" width=\"809\" height=\"1000\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/71mb8l-CGyL._AC_UF10001000_QL80_.jpg 809w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/71mb8l-CGyL._AC_UF10001000_QL80_-243x300.jpg 243w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/71mb8l-CGyL._AC_UF10001000_QL80_-768x949.jpg 768w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/><\/span><\/figure><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-edb7a26\" data-v=\"4\" data-block-id=\"edb7a26\"><style>.stk-edb7a26 {align-self:center !important;}@media screen and (min-width: 768px){.stk-edb7a26 {flex:var(--stk-flex-grow, 1) 1 calc(82% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-edb7a26-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-edb7a26-inner-blocks\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-d05be58\" id=\"coded-art-enters-the-computer-age-1952-1982\" data-block-id=\"d05be58\"><style>.stk-d05be58 {margin-bottom:0px !important;}.stk-d05be58 .stk-block-heading__text{font-size:20px !important;font-weight:400 !important;font-style:normal !important;}@media screen and (max-width: 1023px){.stk-d05be58 .stk-block-heading__text{font-size:20px !important;}}<\/style><h2 class=\"stk-block-heading__text\">Coded: Art Enters the Computer Age, 1952-1982<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-94e2907\" data-block-id=\"94e2907\"><style>.stk-94e2907 .stk-block-text__text{font-size:14px !important;}@media screen and (max-width: 1023px){.stk-94e2907 .stk-block-text__text{font-size:14px !important;}}<\/style><p class=\"stk-block-text__text\">Artists, writers, musicians, choreographers and filmmakers explore the possibilities of data, digitization and algorithms at the dawn of computer technology.<br>Publisher: DelMonico Books\/Los Angeles for Los Angeles County Museum, 2023<\/p><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-feature stk-block-feature stk-block stk-110ed8c stk-animate stk-animate-smooth is-style-horizontal\" data-v=\"2\" data-block-id=\"110ed8c\" data-stk-anim-perspective-in=\"100\" data-stk-anim-perspective-out=\"100\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatey-in=\"60\"><style>.stk-110ed8c {--stk-feature-flex-wrap:nowrap !important;padding-right:0px !important;padding-left:0px !important;}@media screen and (max-width: 767px){.stk-110ed8c {--stk-col-order-1:2 !important;--stk-col-order-2:1 !important;}}<\/style><div class=\"stk-content-align stk-110ed8c-column stk-container stk-110ed8c-container stk--no-background stk--no-padding\"><div class=\"stk-inner-blocks has-text-align-left stk-block-content stk-row\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-4a6c547\" data-v=\"4\" data-block-id=\"4a6c547\"><style>.stk-4a6c547-container{margin-left:0px !important;}.stk-4a6c547 {align-self:center !important;}@media screen and (min-width: 768px){.stk-4a6c547 {flex:var(--stk-flex-grow, 1) 1 calc(18% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-4a6c547-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-4a6c547-inner-blocks\">\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-0c6a46d\" data-block-id=\"0c6a46d\"><figure><span class=\"stk-img-wrapper stk-image--shape-stretch\"><img loading=\"lazy\" decoding=\"async\" class=\"stk-img wp-image-4020\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/MX18.2.png\" width=\"457\" height=\"382\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/MX18.2.png 457w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/MX18.2-300x251.png 300w\" sizes=\"auto, (max-width: 457px) 100vw, 457px\" \/><\/span><\/figure><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-9dbd20d\" data-v=\"4\" data-block-id=\"9dbd20d\"><style>.stk-9dbd20d {align-self:center !important;}@media screen and (min-width: 768px){.stk-9dbd20d {flex:var(--stk-flex-grow, 1) 1 calc(82% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-9dbd20d-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-9dbd20d-inner-blocks\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-6045956\" id=\"the-search-for-entropy-latin-americas-contribution-to-digital-art-practice\" data-block-id=\"6045956\"><style>.stk-6045956 {margin-bottom:0px !important;}.stk-6045956 .stk-block-heading__text{font-size:20px !important;font-weight:400 !important;font-style:normal !important;}@media screen and (max-width: 1023px){.stk-6045956 .stk-block-heading__text{font-size:20px !important;}}<\/style><h2 class=\"stk-block-heading__text\">THE SEARCH FOR ENTROPY: LATIN AMERICA\u2019S CONTRIBUTION TO DIGITAL ART PRACTICE<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-e8c3fff\" data-block-id=\"e8c3fff\"><style>.stk-e8c3fff .stk-block-text__text{font-size:14px !important;}@media screen and (max-width: 1023px){.stk-e8c3fff .stk-block-text__text{font-size:14px !important;}}<\/style><p class=\"stk-block-text__text\">Interviews with artists and intellectuals born before 1959, consider the impact of Brasilia and the emergence of Brazilan modernism. Publisher \u2013 Cobogo Editoria, 2019<\/p><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-feature stk-block-feature stk-block stk-e053166 stk-animate stk-animate-smooth is-style-horizontal\" data-v=\"2\" data-block-id=\"e053166\" data-stk-anim-perspective-in=\"100\" data-stk-anim-perspective-out=\"100\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatey-in=\"60\"><style>.stk-e053166 {--stk-feature-flex-wrap:nowrap !important;padding-right:0px !important;padding-left:0px !important;}@media screen and (max-width: 767px){.stk-e053166 {--stk-col-order-1:2 !important;--stk-col-order-2:1 !important;}}<\/style><div class=\"stk-content-align stk-e053166-column stk-container stk-e053166-container stk--no-background stk--no-padding\"><div class=\"stk-inner-blocks has-text-align-left stk-block-content stk-row\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-2309148\" data-v=\"4\" data-block-id=\"2309148\"><style>.stk-2309148-container{margin-left:0px !important;}.stk-2309148 {align-self:center !important;}@media screen and (min-width: 768px){.stk-2309148 {flex:var(--stk-flex-grow, 1) 1 calc(18% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-2309148-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-2309148-inner-blocks\">\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-6973cff\" data-block-id=\"6973cff\"><figure><span class=\"stk-img-wrapper stk-image--shape-stretch\"><img loading=\"lazy\" decoding=\"async\" class=\"stk-img wp-image-3060\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/04\/Radical-Women-Latin-American-Art-1960-1985.jpg\" width=\"474\" height=\"550\" alt=\"Radical Women: Latin American Art 1960-1985,\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/04\/Radical-Women-Latin-American-Art-1960-1985.jpg 474w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/04\/Radical-Women-Latin-American-Art-1960-1985-259x300.jpg 259w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/span><\/figure><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-cb0daaa\" data-v=\"4\" data-block-id=\"cb0daaa\"><style>.stk-cb0daaa {align-self:center !important;}@media screen and (min-width: 768px){.stk-cb0daaa {flex:var(--stk-flex-grow, 1) 1 calc(82% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-cb0daaa-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-cb0daaa-inner-blocks\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-36e3e42\" id=\"radical-women-latin-american-art-1960-1985-br-curators-cecilia-fajardo-hill-andrea-giunta\" data-block-id=\"36e3e42\"><style>.stk-36e3e42 {margin-bottom:0px !important;}.stk-36e3e42 .stk-block-heading__text{font-size:20px !important;font-weight:400 !important;font-style:normal !important;}@media screen and (max-width: 1023px){.stk-36e3e42 .stk-block-heading__text{font-size:20px !important;}}<\/style><h2 class=\"stk-block-heading__text\">Radical Women: Latin American Art 1960-1985<br>Curators, Cecilia Fajardo-Hill, Andrea Giunta<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-f19662e\" data-block-id=\"f19662e\"><style>.stk-f19662e .stk-block-text__text{font-size:14px !important;}@media screen and (max-width: 1023px){.stk-f19662e .stk-block-text__text{font-size:14px !important;}}<\/style><p class=\"stk-block-text__text\">Exhibition catalog for touring exhibition, 2017 Publisher &#8211; Hammer Museum<\/p><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-e7ae3b4 stk-animate stk-animate-smooth\" data-block-id=\"e7ae3b4\" data-stk-anim-perspective-in=\"500\" data-stk-anim-perspective-out=\"500\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatey-in=\"60\"><p class=\"stk-block-text__text\"><strong>INTERNATIONAL INSTITUTIONAL COLLECTIONS<\/strong><\/p><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-550526c stk-animate stk-animate-smooth\" data-block-id=\"550526c\" data-stk-anim-perspective-in=\"500\" data-stk-anim-perspective-out=\"500\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatey-in=\"60\"><p class=\"stk-block-text__text\">Cordeiro\u2019s work has been collected by major international museums including the <a href=\"https:\/\/www.werkraum.com\/en\/projects\/museum-of-modern-art-ingolstadt\/\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Museum of Concrete Art and Design<\/span><\/a> and<span style=\"color: #72b329;\" class=\"stk-highlight\"> <\/span><a href=\"https:\/\/zkm.de\/en\"><span style=\"color: #85c442;\" class=\"stk-highlight\">ZKM<\/span> <\/a>, <a href=\"https:\/\/www.museoreinasofia.es\/en\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Museo Reina Sofia<\/span><\/a>, <a href=\"https:\/\/www.schlemmer.org\/\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Oskar Schlemmer Theatre Archive Museum<\/span> <\/a>, the <a href=\"https:\/\/www.vam.ac.uk\/\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Victoria and Albert Museum<\/span><\/a><span style=\"color: #30e32e;\" class=\"stk-highlight\"> <\/span>and the<span style=\"color: #70ce27;\" class=\"stk-highlight\"> <\/span><a href=\"https:\/\/www.moma.org\/\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Museum of Modern Art<\/span><\/a> .&nbsp;Her<em> researches<\/em> in coding and dance, movement and figuration and topics ranging from folk dance to early childhood education, represent an eclectic practice.&nbsp;From an online body awareness exercise instruction series (<strong>DuCorpo<\/strong>) to her admixture of dance performance with color\/light projections, the artist has perpetually demonstrated her fascination with the figure in motion and her flare for boundary breaking.<\/p><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":3165,"parent":0,"comment_status":"open","ping_status":"closed","template":"","class_list":["post-2689","artista","type-artista","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Analivia Cordeiro - Brazilian Film &amp; 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