{"id":2689,"date":"2022-07-18T14:08:50","date_gmt":"2022-07-18T17:08:50","guid":{"rendered":"https:\/\/www.bfvpp.com\/?post_type=artista&#038;p=2689"},"modified":"2026-11-09T09:33:47","modified_gmt":"2026-11-09T12:33:47","slug":"analivia-cordeiro","status":"publish","type":"artista","link":"https:\/\/www.bfvpp.com\/en\/artist\/analivia-cordeiro\/","title":{"rendered":"Analivia Cordeiro"},"content":{"rendered":"\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-8ccf0b9\" id=\"an-strong-alivia-cordeiro-strong\" data-block-id=\"8ccf0b9\"><style>.stk-8ccf0b9 {margin-bottom:0px !important;}.stk-8ccf0b9 .stk-block-heading__text{font-size:48px !important;}@media screen and (max-width: 1023px){.stk-8ccf0b9 .stk-block-heading__text{font-size:48px !important;}}@media screen and (max-width: 767px){.stk-8ccf0b9 .stk-block-heading__text{font-size:36px !important;}}<\/style><h1 class=\"stk-block-heading__text\">An<strong>alivia Cordeiro  <\/strong><\/h1><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-a783b07\" data-block-id=\"a783b07\"><style>.stk-a783b07 {padding-top:0px !important;padding-right:0px !important;padding-bottom:0px !important;padding-left:0px !important;margin-top:0px !important;}<\/style><p class=\"stk-block-text__text\"><strong>Brazilian dancer, choreographer, and media artist.<\/strong><br>Born in S\u00e3o Paulo, 1954<\/p><\/div>\n\n\n\n<div class=\"wp-block-stackable-heading stk-block-heading stk--hide-mobile stk-block-heading--v2 stk-block stk-859b2fd\" id=\"bio\" data-block-id=\"859b2fd\"><h2 class=\"stk-block-heading__text\">Bio<\/h2><\/div>\n\n\n<div class=\"wp-block-image wp-duotone-unset-1\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"615\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/376-bw_analivia_cordeiro_2020.jpg\" alt=\"\" class=\"wp-image-3592\" style=\"width:447px;height:auto\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/376-bw_analivia_cordeiro_2020.jpg 750w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/376-bw_analivia_cordeiro_2020-300x246.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\">\u00a9 The artist<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Anal\u00edvia Cordeiro has been at the forefront of artistic experimentation in Brazil since the early 1970s, reshaping how movement, technology, and visual language intersect. A dancer, choreographer, artist, and researcher, she describes her practice as a continuous process of inquiry. With a background that spans dance, art, architecture, multimedia, computer science, and semiotics, she developed a body of work that has profoundly influenced both video art and the digital analysis of movement.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The daughter of Waldemar Cordeiro (1925\u20131973)\u2014a seminal figure in Brazilian concrete art and one of the first artists to experiment with computers\u2014A. Cordeiro grew up immersed in an environment where art and technology intertwined. In 1973, as a young student, she was among only a handful of artists worldwide using computer graphics to notate dance. Her landmark work <em>M3x3<\/em> (1972\u20131973) exemplifies this early exploration. Combining choreography, spatial design, and data processed by computers, <em>M3x3<\/em> transformed human movement into a kinetic video installation. Filmed in a television studio with three synchronized cameras and projected into architectural space, the piece blurred boundaries between body, image, and environment. Its radical fusion of modernist influences\u2014from constructivism to conceptual art\u2014carried deeper political resonance. As scholar Edward Shanken has observed, A. Cordeiro\u2019s use of \u201cpost-colonial female bodies\u201d questioned the dynamics of control and freedom under Brazil\u2019s military dictatorship.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A. Cordeiro continued to expand this pioneering work through subsequent projects\u2014such as <em>0\u00b0\u2039\u2014\u203a45\u00b0<\/em> (1974\u20131989), <em>Gestos<\/em> (1975), <em>Cambiantes<\/em> (1976), and <em>e<\/em> (1979)\u2014as well as through live performances and the development of <em>Nota-Anna<\/em>, her original dance notation system. Her research also ventured into anthropology: in the 1970s, she lived with Indigenous communities in the Amazon, documenting their rituals and storytelling in film and photography, which informed both her movement vocabulary and her archival practice.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-85bc076 xs-large-col\" data-block-id=\"85bc076\"><style>.stk-85bc076-column{--stk-columns-spacing:0px !important;--stk-column-gap:24px !important;}@media screen and (max-width: 767px){.stk-85bc076-column{--stk-columns-spacing:0px !important;row-gap:20px !important;}}<\/style><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-85bc076-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-45611bc\" data-v=\"4\" data-block-id=\"45611bc\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-45611bc-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-45611bc-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"467\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045.png\" alt=\"\" class=\"wp-image-2569\" style=\"aspect-ratio:4\/3;object-fit:cover\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045.png 700w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045-300x200.png 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-a8a60e4\" data-v=\"4\" data-block-id=\"a8a60e4\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-a8a60e4-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-a8a60e4-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"514\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045-2.png\" alt=\"\" class=\"wp-image-2570\" style=\"aspect-ratio:4\/3;object-fit:cover\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045-2.png 700w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/045-2-300x220.png 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-aa613e9\" data-v=\"4\" data-block-id=\"aa613e9\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-aa613e9-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-aa613e9-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"415\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/375-bw_analivi_cordeiro_2020_-20201027-analivia_0122_2765.jpg\" alt=\"\" class=\"wp-image-3585\" style=\"aspect-ratio:1.3333333333333333;object-fit:cover\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/375-bw_analivi_cordeiro_2020_-20201027-analivia_0122_2765.jpg 750w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/375-bw_analivi_cordeiro_2020_-20201027-analivia_0122_2765-300x166.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">From the 1980s onward, A. Cordeiro deepened her exploration of computer-assisted dance notation. Working with engineer Nilton Lobo, she created three-dimensional recordings of bodily movement by plotting 24 key points of the body and tracking their trajectories over time. This technique offered unprecedented analytical precision and new possibilities for preserving cultural heritage\u2014from traditional dances, such as a nearly extinct Yemenite choreography, to experimental contemporary works. Her method also transformed choreographic creation itself, allowing artists to test and refine movement sequences digitally before staging them physically.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A. Cordeiro\u2019s pioneering contributions have been recognized internationally. <em>M3x3<\/em> received the BEEP Electronic Art Prize at ARCO Madrid in 2015 and was featured in major exhibitions such as <em>Coded: Art Enters the Computer Age, 1952\u20131982<\/em> (LACMA, 2023). Her work remains a touchstone in media art history, not only for its technical innovation but also for its poetic investigation of the human body as both subject and data. Through her fusion of movement and code, A. Cordeiro invites us to rethink embodiment, memory, and the ways art can shape the technological futures it inhabits.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Solange Oliveira Farkas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.youtube.com\/@analiviacordeiro8707\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\"><strong>Videos<\/strong><\/span> <\/a><\/p>\n\n\n\n<div class=\"wp-block-stackable-spacer stk-block-spacer stk--no-padding stk-block stk-9a47d54\" data-block-id=\"9a47d54\"><style>.stk-9a47d54 {height:80px !important;}<\/style><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignfull bg-gray has-background\" style=\"background-color:#e5e5e5\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-1e7ba57\" id=\"filmography\" data-block-id=\"1e7ba57\"><h2 class=\"stk-block-heading__text\">Filmography<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-748318f\" data-block-id=\"748318f\"><style>.stk-748318f-column{--stk-columns-spacing:0px !important;--stk-column-gap:15px !important;}<\/style><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-748318f-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-45a91ef\" data-v=\"4\" data-block-id=\"45a91ef\"><style>.stk-45a91ef-container{margin-top:12px !important;margin-right:12px !important;margin-bottom:12px !important;margin-left:0px !important;}.stk-45a91ef {align-self:center !important;}.stk-45a91ef-inner-blocks{align-items:flex-start !important;justify-content:center !important;}@media screen and (min-width: 768px){.stk-45a91ef {flex:var(--stk-flex-grow, 1) 1 66.7% !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-45a91ef-container stk--no-background stk--no-padding\"><div class=\"stk--column-flex stk-block-content stk-inner-blocks stk-45a91ef-inner-blocks\">\t\t<ul class=\"filmes\">\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_919\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tM3X3 (1973)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_928\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\t0\u00ba &#8211; 45\u00ba (1974)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_932\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\t0\u00ba &#8211; 45\u00ba- vers\u00e3o II (1974)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_937\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\t0\u00ba &#8211; 45\u00ba- vers\u00e3o III (1974 - 1989)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_941\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tKwarup (1975)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_945\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tGestos (1975)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_949\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tCambiantes (1976 - 2015)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_953\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tAr (1985)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_955\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tTrajet\u00f3rias (1984)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_961\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tSlow Billie Scan (1985)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_965\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tWearables (1989)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_967\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tMicron Virtues (1992)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_971\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tStriptease (1997)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_977\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tPerformance 0\u00b0\u2039\u2014\u203a45 (1998)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_979\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tCarne I, II e III (2004, 2007, 2009)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_983\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tUnsquare Dance (2007)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_987\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tUnderstandable Fuzziness (2007)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_992\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tPerformance Toca \/ \u00c2ncora (2009)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_996\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tNota-Anna (1982\/1994)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1002\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tLaban Art of Movement (1999)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1006\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tHist\u00f3ria de Laban (1999)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1008\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tDucorpo (2004)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1014\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tCrian\u00e7as (2005)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1018\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tDJ Mobile (2005)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1025\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tVoc\u00ea (2009)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1031\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tAlfabetiza\u00e7\u00e3o (2010)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1033\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tFolhas e troncos (2014)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t\t<li class=\"filme pan-vertical \"><a name=\"filme_1020\"><\/a>\n\t\t\t\t<div class=\"titulo\">\n\t\t\t\t\t\t\t\t\t\t\tArchitecture of Movement (2006 - 2015)\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-45e0ff8\" data-v=\"4\" data-block-id=\"45e0ff8\"><style>.stk-45e0ff8-container{margin-right:0px !important;margin-left:12px !important;}.stk-45e0ff8 {align-self:flex-start !important;}@media screen and (min-width: 768px){.stk-45e0ff8 {flex:var(--stk-flex-grow, 1) 1 33.3% !important;}}@media screen and (max-width: 767px){.stk-45e0ff8-container{margin-left:0px !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-45e0ff8-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-45e0ff8-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"514\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/cambiantes.png\" alt=\"\" class=\"wp-image-2574\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/cambiantes.png 700w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/11\/cambiantes-300x220.png 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-spacer stk-block-spacer stk--no-padding stk-block stk-07963ec\" data-block-id=\"07963ec\"><style>.stk-07963ec {height:80px !important;}<\/style><\/div>\n\n\n\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-dc9258e\" id=\"bfvpp-essay\" data-block-id=\"dc9258e\"><h2 class=\"stk-block-heading__text\">BFVPP Essay<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-c3a91f0\" data-block-id=\"c3a91f0\"><style>.stk-c3a91f0-column{--stk-columns-spacing:0px !important;--stk-column-gap:15px !important;}<\/style><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-c3a91f0-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-4d8e2b6\" data-v=\"4\" data-block-id=\"4d8e2b6\"><style>.stk-4d8e2b6 {align-self:flex-start !important;}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-4d8e2b6-container stk--no-background stk--no-padding\"><div class=\"has-text-align-left stk-block-content stk-inner-blocks stk-4d8e2b6-inner-blocks\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-a65f7d1\" id=\"a-href-https-www-bfvpp-com-o-corpo-e-a-mensagem-danca-tecnologia-e-mediacoes-na-obra-de-analivia-cordeiro-target-blank-rel-noreferrer-noopener-o-corpo-e-a-mensagem-danca-tecnologia-e-mediacoes-na-obra-de-analivia-cordeiro-a\" data-block-id=\"a65f7d1\"><style>.stk-a65f7d1 {margin-bottom:0px !important;}<\/style><h3 class=\"stk-block-heading__text\"><a href=\"https:\/\/www.bfvpp.com\/en\/the-body-is-the-message\/\" data-type=\"page\" data-id=\"5852\" target=\"_blank\" rel=\"noreferrer noopener\">The body is the message: dance, technology and mediations in the work of Anal\u00edvia Cordeiro<\/a><\/h3><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-e19b0c4\" data-block-id=\"e19b0c4\"><style>.stk-e19b0c4 {margin-bottom:0px !important;}.stk-e19b0c4 .stk-block-text__text{font-size:14px !important;}@media screen and (max-width: 1023px){.stk-e19b0c4 .stk-block-text__text{font-size:14px !important;}}<\/style><p class=\"stk-block-text__text\">Ana Maria Maia, 2026<\/p><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe body communicates by itself. Every part, every detail, forms a message\u201d. This sentence, which Anal\u00edvia Cordeiro published in <em>Nota-Anna<\/em>, reformulates a concept that had exerted a strong influence on artists of her generation who were interested in the intersections between everyday life and the phenomena of mass culture. At the turn of the 1970s, Canadian theorist Marshall McLuhan\u2019s assertion that \u201cthe means is the message\u201d was gaining currency. Within this context and throughout her trajectory, Anal\u00edvia has investigated the body as a means, or rather, as an instance that produces, drives, and conditions discourse, even predicating the far-reaching impact of the mechanisms of technology and communication.<\/p>\n\n\n\n<div class=\"wp-block-stackable-spacer stk-block-spacer stk--no-padding stk-block stk-ea1d14b\" data-block-id=\"ea1d14b\"><style>.stk-ea1d14b {height:50px !important;}<\/style><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group alignfull bg-gray has-background\" style=\"background-color:#f4f4f4\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-e92df70\" id=\"conversation\" data-block-id=\"e92df70\"><h2 class=\"stk-block-heading__text\">Conversation<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-98df85a\" data-block-id=\"98df85a\"><style>.stk-98df85a-column{--stk-columns-spacing:0px !important;--stk-column-gap:15px !important;}<\/style><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-98df85a-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-dd66c02\" data-v=\"4\" data-block-id=\"dd66c02\"><style>@media screen and (min-width: 768px){.stk-dd66c02 {flex:var(--stk-flex-grow, 1) 1 33.3% !important;}}@media screen and (min-width: 768px) and (max-width: 1023px){.stk-dd66c02 {flex:var(--stk-flex-grow, 1) 1 calc(33.3% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-dd66c02-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-dd66c02-inner-blocks\">\n<p class=\"wp-block-paragraph\"><strong>Analivia Cordeiro<\/strong><br>Rio de Janeiro, 2018<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-24fe95d\" data-v=\"4\" data-block-id=\"24fe95d\"><style>@media screen and (min-width: 768px){.stk-24fe95d {flex:var(--stk-flex-grow, 1) 1 66.7% !important;}}@media screen and (min-width: 768px) and (max-width: 1023px){.stk-24fe95d {flex:var(--stk-flex-grow, 1) 1 calc(66.7% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-24fe95d-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-24fe95d-inner-blocks\">\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-video\"><iframe loading=\"lazy\" title=\"Analivia Cordeiro\" src=\"https:\/\/player.vimeo.com\/video\/1157519318?dnt=1&amp;app_id=122963&amp;texttrack=en\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n<\/div><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-spacer stk-block-spacer stk--no-padding stk-block stk-bc0508a\" data-block-id=\"bc0508a\"><style>.stk-bc0508a {height:50px !important;}<\/style><\/div>\n\n\n\n<div class=\"wp-block-group has-background\" style=\"background-color:#ffffff\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-6ff86f6 xscol-2\" data-block-id=\"6ff86f6\"><style>.stk-6ff86f6 {padding-left:0px !important;margin-right:0px !important;margin-bottom:0px !important;margin-left:0px !important;}.stk-6ff86f6-column{--stk-columns-spacing:0px !important;--stk-column-gap:20px !important;}<\/style><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-6ff86f6-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-6e1e2c6\" data-v=\"4\" data-block-id=\"6e1e2c6\"><style>.stk-6e1e2c6 {padding-left:0px !important;margin-left:0px !important;}@media screen and (min-width: 768px){.stk-6e1e2c6 {flex:var(--stk-flex-grow, 1) 1 calc(25% - var(--stk-column-gap, 0px) * 3 \/ 4 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-6e1e2c6-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-6e1e2c6-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"307\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/images.jpg\" alt=\"\" class=\"wp-image-6256\" style=\"aspect-ratio:16\/9;object-fit:contain\"\/><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-0d96ccf\" data-v=\"4\" data-block-id=\"0d96ccf\"><style>@media screen and (min-width: 768px){.stk-0d96ccf {flex:var(--stk-flex-grow, 1) 1 calc(25% - var(--stk-column-gap, 0px) * 3 \/ 4 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-0d96ccf-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-0d96ccf-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"540\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/luciana-brito.png\" alt=\"\" class=\"wp-image-6259\" style=\"aspect-ratio:16\/9;object-fit:contain\"\/><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-0c6fe6a\" data-v=\"4\" data-block-id=\"0c6fe6a\"><style>@media screen and (min-width: 768px){.stk-0c6fe6a {flex:var(--stk-flex-grow, 1) 1 calc(25% - var(--stk-column-gap, 0px) * 3 \/ 4 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-0c6fe6a-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-0c6fe6a-inner-blocks\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"230\" height=\"129\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/hammer-2.jpg\" alt=\"\" class=\"wp-image-6270\" style=\"aspect-ratio:16\/9;object-fit:contain\"\/><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-23cc1ae\" data-v=\"4\" data-block-id=\"23cc1ae\"><style>@media screen and (min-width: 768px){.stk-23cc1ae {flex:var(--stk-flex-grow, 1) 1 calc(25% - var(--stk-column-gap, 0px) * 3 \/ 4 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-23cc1ae-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-23cc1ae-inner-blocks\"><\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-stackable-feature stk-block-feature stk-block stk-638362f stk-animate stk-animate-smooth is-style-horizontal\" data-v=\"2\" data-block-id=\"638362f\" data-stk-anim-perspective-in=\"100\" data-stk-anim-perspective-out=\"100\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatey-in=\"60\"><style>.stk-638362f {--stk-feature-flex-wrap:nowrap !important;padding-right:0px !important;padding-left:0px !important;}@media screen and (max-width: 767px){.stk-638362f {--stk-col-order-1:2 !important;--stk-col-order-2:1 !important;}}<\/style><div class=\"stk-content-align stk-638362f-column stk-container stk-638362f-container stk--no-background stk--no-padding\"><div class=\"stk-inner-blocks has-text-align-left stk-block-content stk-row\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-517e064\" data-v=\"4\" data-block-id=\"517e064\"><style>.stk-517e064-container{margin-left:0px !important;}.stk-517e064 {align-self:center !important;}@media screen and (min-width: 768px){.stk-517e064 {flex:var(--stk-flex-grow, 1) 1 calc(18% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-517e064-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-517e064-inner-blocks\">\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-1317650\" data-block-id=\"1317650\"><figure><span class=\"stk-img-wrapper stk-image--shape-stretch\"><img loading=\"lazy\" decoding=\"async\" class=\"stk-img wp-image-3974\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/ALC.jpg\" width=\"780\" height=\"488\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/ALC.jpg 780w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/ALC-300x188.jpg 300w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/ALC-768x480.jpg 768w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/><\/span><\/figure><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-d30e789\" data-v=\"4\" data-block-id=\"d30e789\"><style>.stk-d30e789 {align-self:center !important;}@media screen and (min-width: 768px){.stk-d30e789 {flex:var(--stk-flex-grow, 1) 1 calc(82% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-d30e789-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-d30e789-inner-blocks\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-bdfd03e\" id=\"analivia-cordeiro-from-body-to-code\" data-block-id=\"bdfd03e\"><style>.stk-bdfd03e {margin-bottom:0px !important;}.stk-bdfd03e .stk-block-heading__text{font-size:20px !important;font-weight:400 !important;font-style:normal !important;}@media screen and (max-width: 1023px){.stk-bdfd03e .stk-block-heading__text{font-size:20px !important;}}<\/style><h2 class=\"stk-block-heading__text\">Analivia Cordeiro : From Body to Code  <\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-bdb843b\" data-block-id=\"bdb843b\"><style>.stk-bdb843b .stk-block-text__text{font-size:14px !important;}@media screen and (max-width: 1023px){.stk-bdb843b .stk-block-text__text{font-size:14px !important;}}<\/style><p class=\"stk-block-text__text\">A pioneer of video and computer art, Analivia Cordeiro has been exploring the relationships between the body, movement, visual and audiovisual art, and media art since the early 1970s. In the context of the exhibition, ZKM is publishing an English-language monography on the artist&#8217;s work.<\/p><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-feature stk-block-feature stk-block stk-1d6eee4 stk-animate stk-animate-smooth is-style-horizontal\" data-v=\"2\" data-block-id=\"1d6eee4\" data-stk-anim-perspective-in=\"100\" data-stk-anim-perspective-out=\"100\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatex-in=\"0\" data-stk-anim-translatey-in=\"60\"><style>.stk-1d6eee4 {--stk-feature-flex-wrap:nowrap !important;padding-right:0px !important;padding-left:0px !important;}@media screen and (max-width: 767px){.stk-1d6eee4 {--stk-col-order-1:2 !important;--stk-col-order-2:1 !important;}}<\/style><div class=\"stk-content-align stk-1d6eee4-column stk-container stk-1d6eee4-container stk--no-background stk--no-padding\"><div class=\"stk-inner-blocks has-text-align-left stk-block-content stk-row\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-b6ef2ac\" data-v=\"4\" data-block-id=\"b6ef2ac\"><style>.stk-b6ef2ac-container{margin-left:0px !important;}.stk-b6ef2ac {align-self:center !important;}@media screen and (min-width: 768px){.stk-b6ef2ac {flex:var(--stk-flex-grow, 1) 1 calc(18% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-b6ef2ac-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-b6ef2ac-inner-blocks\">\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-743aa0c\" data-block-id=\"743aa0c\"><figure><span class=\"stk-img-wrapper stk-image--shape-stretch\"><img loading=\"lazy\" decoding=\"async\" class=\"stk-img wp-image-4011\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/71mb8l-CGyL._AC_UF10001000_QL80_.jpg\" width=\"809\" height=\"1000\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/71mb8l-CGyL._AC_UF10001000_QL80_.jpg 809w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/71mb8l-CGyL._AC_UF10001000_QL80_-243x300.jpg 243w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/71mb8l-CGyL._AC_UF10001000_QL80_-768x949.jpg 768w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/><\/span><\/figure><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-edb7a26\" data-v=\"4\" data-block-id=\"edb7a26\"><style>.stk-edb7a26 {align-self:center !important;}@media screen and (min-width: 768px){.stk-edb7a26 {flex:var(--stk-flex-grow, 1) 1 calc(82% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-edb7a26-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-edb7a26-inner-blocks\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-d05be58\" id=\"coded-art-enters-the-computer-age-1952-1982\" data-block-id=\"d05be58\"><style>.stk-d05be58 {margin-bottom:0px !important;}.stk-d05be58 .stk-block-heading__text{font-size:20px !important;font-weight:400 !important;font-style:normal !important;}@media screen and (max-width: 1023px){.stk-d05be58 .stk-block-heading__text{font-size:20px !important;}}<\/style><h2 class=\"stk-block-heading__text\">Coded: Art Enters the Computer Age, 1952-1982<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-94e2907\" data-block-id=\"94e2907\"><style>.stk-94e2907 .stk-block-text__text{font-size:14px !important;}@media screen and (max-width: 1023px){.stk-94e2907 .stk-block-text__text{font-size:14px !important;}}<\/style><p class=\"stk-block-text__text\">Artists, writers, musicians, choreographers and filmmakers explore the possibilities of data, digitization and algorithms at the dawn of computer technology.<br>Publisher: DelMonico Books\/Los Angeles for Los Angeles County Museum, 2023<\/p><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-feature stk-block-feature stk-block stk-110ed8c stk-animate stk-animate-smooth is-style-horizontal\" data-v=\"2\" data-block-id=\"110ed8c\" data-stk-anim-perspective-in=\"100\" data-stk-anim-perspective-out=\"100\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatey-in=\"60\"><style>.stk-110ed8c {--stk-feature-flex-wrap:nowrap !important;padding-right:0px !important;padding-left:0px !important;}@media screen and (max-width: 767px){.stk-110ed8c {--stk-col-order-1:2 !important;--stk-col-order-2:1 !important;}}<\/style><div class=\"stk-content-align stk-110ed8c-column stk-container stk-110ed8c-container stk--no-background stk--no-padding\"><div class=\"stk-inner-blocks has-text-align-left stk-block-content stk-row\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-4a6c547\" data-v=\"4\" data-block-id=\"4a6c547\"><style>.stk-4a6c547-container{margin-left:0px !important;}.stk-4a6c547 {align-self:center !important;}@media screen and (min-width: 768px){.stk-4a6c547 {flex:var(--stk-flex-grow, 1) 1 calc(18% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-4a6c547-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-4a6c547-inner-blocks\">\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-0c6a46d\" data-block-id=\"0c6a46d\"><figure><span class=\"stk-img-wrapper stk-image--shape-stretch\"><img loading=\"lazy\" decoding=\"async\" class=\"stk-img wp-image-4020\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/MX18.2.png\" width=\"457\" height=\"382\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/MX18.2.png 457w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2022\/07\/MX18.2-300x251.png 300w\" sizes=\"auto, (max-width: 457px) 100vw, 457px\" \/><\/span><\/figure><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-9dbd20d\" data-v=\"4\" data-block-id=\"9dbd20d\"><style>.stk-9dbd20d {align-self:center !important;}@media screen and (min-width: 768px){.stk-9dbd20d {flex:var(--stk-flex-grow, 1) 1 calc(82% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-9dbd20d-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-9dbd20d-inner-blocks\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-6045956\" id=\"the-search-for-entropy-latin-americas-contribution-to-digital-art-practice\" data-block-id=\"6045956\"><style>.stk-6045956 {margin-bottom:0px !important;}.stk-6045956 .stk-block-heading__text{font-size:20px !important;font-weight:400 !important;font-style:normal !important;}@media screen and (max-width: 1023px){.stk-6045956 .stk-block-heading__text{font-size:20px !important;}}<\/style><h2 class=\"stk-block-heading__text\">THE SEARCH FOR ENTROPY: LATIN AMERICA\u2019S CONTRIBUTION TO DIGITAL ART PRACTICE<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-e8c3fff\" data-block-id=\"e8c3fff\"><style>.stk-e8c3fff .stk-block-text__text{font-size:14px !important;}@media screen and (max-width: 1023px){.stk-e8c3fff .stk-block-text__text{font-size:14px !important;}}<\/style><p class=\"stk-block-text__text\">Interviews with artists and intellectuals born before 1959, consider the impact of Brasilia and the emergence of Brazilan modernism. Publisher \u2013 Cobogo Editoria, 2019<\/p><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-feature stk-block-feature stk-block stk-e053166 stk-animate stk-animate-smooth is-style-horizontal\" data-v=\"2\" data-block-id=\"e053166\" data-stk-anim-perspective-in=\"100\" data-stk-anim-perspective-out=\"100\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatey-in=\"60\"><style>.stk-e053166 {--stk-feature-flex-wrap:nowrap !important;padding-right:0px !important;padding-left:0px !important;}@media screen and (max-width: 767px){.stk-e053166 {--stk-col-order-1:2 !important;--stk-col-order-2:1 !important;}}<\/style><div class=\"stk-content-align stk-e053166-column stk-container stk-e053166-container stk--no-background stk--no-padding\"><div class=\"stk-inner-blocks has-text-align-left stk-block-content stk-row\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-2309148\" data-v=\"4\" data-block-id=\"2309148\"><style>.stk-2309148-container{margin-left:0px !important;}.stk-2309148 {align-self:center !important;}@media screen and (min-width: 768px){.stk-2309148 {flex:var(--stk-flex-grow, 1) 1 calc(18% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-2309148-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-2309148-inner-blocks\">\n<div class=\"wp-block-stackable-image stk-block-image stk-block stk-6973cff\" data-block-id=\"6973cff\"><figure><span class=\"stk-img-wrapper stk-image--shape-stretch\"><img loading=\"lazy\" decoding=\"async\" class=\"stk-img wp-image-3060\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/04\/Radical-Women-Latin-American-Art-1960-1985.jpg\" width=\"474\" height=\"550\" alt=\"Radical Women: Latin American Art 1960-1985,\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/04\/Radical-Women-Latin-American-Art-1960-1985.jpg 474w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/04\/Radical-Women-Latin-American-Art-1960-1985-259x300.jpg 259w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/span><\/figure><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-cb0daaa\" data-v=\"4\" data-block-id=\"cb0daaa\"><style>.stk-cb0daaa {align-self:center !important;}@media screen and (min-width: 768px){.stk-cb0daaa {flex:var(--stk-flex-grow, 1) 1 calc(82% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-cb0daaa-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-cb0daaa-inner-blocks\">\n<div class=\"wp-block-stackable-heading stk-block-heading stk-block-heading--v2 stk-block stk-36e3e42\" id=\"radical-women-latin-american-art-1960-1985-br-curators-cecilia-fajardo-hill-andrea-giunta\" data-block-id=\"36e3e42\"><style>.stk-36e3e42 {margin-bottom:0px !important;}.stk-36e3e42 .stk-block-heading__text{font-size:20px !important;font-weight:400 !important;font-style:normal !important;}@media screen and (max-width: 1023px){.stk-36e3e42 .stk-block-heading__text{font-size:20px !important;}}<\/style><h2 class=\"stk-block-heading__text\">Radical Women: Latin American Art 1960-1985<br>Curators, Cecilia Fajardo-Hill, Andrea Giunta<\/h2><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-f19662e\" data-block-id=\"f19662e\"><style>.stk-f19662e .stk-block-text__text{font-size:14px !important;}@media screen and (max-width: 1023px){.stk-f19662e .stk-block-text__text{font-size:14px !important;}}<\/style><p class=\"stk-block-text__text\">Exhibition catalog for touring exhibition, 2017 Publisher &#8211; Hammer Museum<\/p><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-e7ae3b4 stk-animate stk-animate-smooth\" data-block-id=\"e7ae3b4\" data-stk-anim-perspective-in=\"500\" data-stk-anim-perspective-out=\"500\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatey-in=\"60\"><p class=\"stk-block-text__text\"><strong>INTERNATIONAL INSTITUTIONAL COLLECTIONS<\/strong><\/p><\/div>\n\n\n\n<div class=\"wp-block-stackable-text stk-block-text stk-block stk-550526c stk-animate stk-animate-smooth\" data-block-id=\"550526c\" data-stk-anim-perspective-in=\"500\" data-stk-anim-perspective-out=\"500\" data-stk-anim-opacity-in=\"0\" data-stk-anim-translatey-in=\"60\"><p class=\"stk-block-text__text\">Cordeiro\u2019s work has been collected by major international museums including the <a href=\"https:\/\/www.werkraum.com\/en\/projects\/museum-of-modern-art-ingolstadt\/\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Museum of Concrete Art and Design<\/span><\/a> and<span style=\"color: #72b329;\" class=\"stk-highlight\"> <\/span><a href=\"https:\/\/zkm.de\/en\"><span style=\"color: #85c442;\" class=\"stk-highlight\">ZKM<\/span> <\/a>, <a href=\"https:\/\/www.museoreinasofia.es\/en\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Museo Reina Sofia<\/span><\/a>, <a href=\"https:\/\/www.schlemmer.org\/\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Oskar Schlemmer Theatre Archive Museum<\/span> <\/a>, the <a href=\"https:\/\/www.vam.ac.uk\/\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Victoria and Albert Museum<\/span><\/a><span style=\"color: #30e32e;\" class=\"stk-highlight\"> <\/span>and the<span style=\"color: #70ce27;\" class=\"stk-highlight\"> <\/span><a href=\"https:\/\/www.moma.org\/\" target=\"_blank\" rel=\"noreferrer noopener\"><span style=\"color: #85c442;\" class=\"stk-highlight\">Museum of Modern Art<\/span><\/a> .&nbsp;Her<em> researches<\/em> in coding and dance, movement and figuration and topics ranging from folk dance to early childhood education, represent an eclectic practice.&nbsp;From an online body awareness exercise instruction series (<strong>DuCorpo<\/strong>) to her admixture of dance performance with color\/light projections, the artist has perpetually demonstrated her fascination with the figure in motion and her flare for boundary breaking.<\/p><\/div>\n<\/div><\/div>\n<\/div><\/div>\n","protected":false},"featured_media":3165,"parent":0,"comment_status":"open","ping_status":"closed","template":"","class_list":["post-2689","artista","type-artista","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Analivia Cordeiro - Brazilian Film &amp; 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