{"id":3449,"date":"2024-05-02T05:38:49","date_gmt":"2024-05-02T08:38:49","guid":{"rendered":"https:\/\/www.bfvpp.com\/v2\/?page_id=3449"},"modified":"2026-05-29T10:24:55","modified_gmt":"2026-05-29T13:24:55","slug":"conversations","status":"publish","type":"page","link":"https:\/\/www.bfvpp.com\/en\/conversations\/","title":{"rendered":"Conversations"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-left has-extra-small-font-size wp-block-paragraph\">This distinctive historical material documents legendary eye-witnesses. They reflect on the emergence of Brazilian video art, the artists\u2019 covert responses to socio-political circumstances and their quests to cultivate an inclusive national identity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"565\" height=\"310\" src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/08\/Sony_AV-3400_Porta_Pak_Camera.jpg\" alt=\"\" class=\"wp-image-4154\" style=\"width:614px;height:auto\" srcset=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/08\/Sony_AV-3400_Porta_Pak_Camera.jpg 565w, https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/08\/Sony_AV-3400_Porta_Pak_Camera-300x165.jpg 300w\" sizes=\"auto, (max-width: 565px) 100vw, 565px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Arlindo Machado<\/strong><br>(Brazilian,1949-2020) was a progressive S\u00e3o Paulo-based curator, critic and professor and among the first Brazilians to endorse the fine arts applications of electronic imagery.<\/p>\n\n\n\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-313fb55\" data-block-id=\"313fb55\"><style>.stk-313fb55 .stk--block-align-313fb55{align-items:flex-start !important;}.stk-313fb55-column{--stk-columns-spacing:12px !important;}<\/style><div class=\"stk-row stk-inner-blocks stk--block-align-313fb55 stk-block-content stk-content-align stk-313fb55-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-8ea7275\" data-v=\"4\" data-block-id=\"8ea7275\"><style>@media screen and (min-width: 768px){.stk-8ea7275 {flex:var(--stk-flex-grow, 1) 1 calc(50% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-8ea7275-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-8ea7275-inner-blocks\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2023\/12\/ARLINDO_PARTE_01_v01.wav\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/09\/ARLINDO_PARTE_03_v02_MIXED.wav\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/11\/ARLINDO-MACHADO-EN.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Audio transcription<\/a><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-b0ccc70\" data-v=\"4\" data-block-id=\"b0ccc70\"><style>.stk-b0ccc70-container{margin-top:12px !important;margin-right:12px !important;margin-bottom:12px !important;margin-left:12px !important;}@media screen and (min-width: 768px){.stk-b0ccc70 {flex:var(--stk-flex-grow, 1) 1 calc(50% - var(--stk-column-gap, 0px) * 1 \/ 2 ) !important;}}<\/style><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-b0ccc70-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-b0ccc70-inner-blocks\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/09\/ARLINDO_PARTE_04_v02_MIXED.wav\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/09\/ARLINDO_PARTE_05_v02_MIXED.wav\"><\/audio><\/figure>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-stackable-divider stk-block-divider stk-block stk-472d840\" data-block-id=\"472d840\"><style>.stk-472d840 hr.stk-block-divider__hr{background:#85c442 !important;}.stk-472d840 {min-height:40px !important;margin-top:40px !important;}<\/style><hr class=\"stk-block-divider__hr\"\/><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jom Tob Azulay<\/strong><br>(Brazilian, b.1941; Rio-based)<strong> <\/strong>changed the trajectory of video art in Brazil, when he returned from his diplomatic post in Los Angeles with a Sony Portapak, for his own projects and to share with other artists. Noted as a filmmaker and producer, he also held a leadership position at Ancine, the national film agency created in 2001, as well as subsequent diplomatic positions. He served as&nbsp; cameraman for several of Anna Bella Geiger\u2019s first videos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-a9cd6be\" data-block-id=\"a9cd6be\"><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-a9cd6be-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-8078387\" data-v=\"4\" data-block-id=\"8078387\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-8078387-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-8078387-inner-blocks\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/11\/JTA_MIX.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/09\/Jom-Tob-Azulay-ConversationsEN.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Audio transcription<\/a><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-7de4f84\" data-v=\"4\" data-block-id=\"7de4f84\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-7de4f84-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-7de4f84-inner-blocks\">\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-divider stk-block-divider stk-block stk-6f72519\" data-block-id=\"6f72519\"><style>.stk-6f72519 hr.stk-block-divider__hr{background:#85c442 !important;}.stk-6f72519 {min-height:40px !important;margin-top:40px !important;}<\/style><hr class=\"stk-block-divider__hr\"\/><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fernando Cocchiarale<\/strong><br>(Brazilian, b.1952;<strong> <\/strong>Rio de Janeiro-based) a curator, critic and academic, was a pioneer who championed video as a means for artistic expression.<\/p>\n\n\n\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-988a98a\" data-block-id=\"988a98a\"><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-988a98a-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-5dd51a3\" data-v=\"4\" data-block-id=\"5dd51a3\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-5dd51a3-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-5dd51a3-inner-blocks\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2025\/01\/FC_MIX_02012025.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Audio transcription<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-8dd56cf\" data-v=\"4\" data-block-id=\"8dd56cf\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-8dd56cf-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-8dd56cf-inner-blocks\"><\/div><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-divider stk-block-divider stk-block stk-9466452\" data-block-id=\"9466452\"><style>.stk-9466452 hr.stk-block-divider__hr{background:#85c442 !important;}.stk-9466452 {min-height:40px !important;margin-top:40px !important;}<\/style><hr class=\"stk-block-divider__hr\"\/><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Carlos Z\u00edlio<\/strong> <br>(Brazilian, b.1944; Rio de Janeiro-based) &nbsp;is an artist, activist, author and professor. In the late 1960s he abandoned studio work to join the Resistance. During a protest he was shot three times and incarcerated for 28 months. In jail he resumed art-making\u2014large-scale agit-prop-driven collage. Upon release, he pursued exile in Paris. There he earned a Phd in art history and incorporated Euro and US modernisms into his own conceptual work. From the time he returned to Brazil in 1980, until the present, he has focused on teaching Brazilian art history, his work as a theorist and a practice that includes painting, assemblage, interventions and very briefly short film animations.<\/p>\n\n\n\n<div class=\"wp-block-stackable-columns stk-block-columns stk-block stk-a2e3f15\" data-block-id=\"a2e3f15\"><div class=\"stk-row stk-inner-blocks stk-block-content stk-content-align stk-a2e3f15-column\">\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-42a61e1\" data-v=\"4\" data-block-id=\"42a61e1\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-42a61e1-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-42a61e1-inner-blocks\">\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2025\/05\/Carlos-Zilio2-.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br><br>Audio transcription<br><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-stackable-column stk-block-column stk-column stk-block stk-1870ada\" data-v=\"4\" data-block-id=\"1870ada\"><div class=\"stk-column-wrapper stk-block-column__content stk-container stk-1870ada-container stk--no-background stk--no-padding\"><div class=\"stk-block-content stk-inner-blocks stk-1870ada-inner-blocks\"><\/div><\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><audio src=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/11\/JTA_MIX.mp3\"><\/audio><br><br><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>This distinctive historical material documents legendary eye-witnesses. They reflect on the emergence of Brazilian video art, the artists\u2019 covert responses to socio-political circumstances and their quests to cultivate an inclusive national identity. Arlindo Machado(Brazilian,1949-2020) was a progressive S\u00e3o Paulo-based curator, critic and professor and among the first Brazilians to endorse the fine arts applications of [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_gspb_post_css":"","footnotes":"[]"},"class_list":["post-3449","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Conversations - Brazilian Film &amp; Video Preservation Project<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bfvpp.com\/en\/conversations\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conversations - Brazilian Film &amp; Video Preservation Project\" \/>\n<meta property=\"og:description\" content=\"This distinctive historical material documents legendary eye-witnesses. They reflect on the emergence of Brazilian video art, the artists\u2019 covert responses to socio-political circumstances and their quests to cultivate an inclusive national identity. Arlindo Machado(Brazilian,1949-2020) was a progressive S\u00e3o Paulo-based curator, critic and professor and among the first Brazilians to endorse the fine arts applications of [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.bfvpp.com\/en\/conversations\/\" \/>\n<meta property=\"og:site_name\" content=\"Brazilian Film &amp; Video Preservation Project\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-29T13:24:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/08\/Sony_AV-3400_Porta_Pak_Camera.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"565\" \/>\n\t<meta property=\"og:image:height\" content=\"310\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/en\\\/conversations\\\/\",\"url\":\"https:\\\/\\\/www.bfvpp.com\\\/en\\\/conversations\\\/\",\"name\":\"Conversations - Brazilian Film &amp; Video Preservation Project\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/en\\\/conversations\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/en\\\/conversations\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.bfvpp.com\\\/v2\\\/wp-content\\\/uploads\\\/2024\\\/08\\\/Sony_AV-3400_Porta_Pak_Camera.jpg\",\"datePublished\":\"2024-05-02T08:38:49+00:00\",\"dateModified\":\"2026-05-29T13:24:55+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/en\\\/conversations\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.bfvpp.com\\\/en\\\/conversations\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/en\\\/conversations\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.bfvpp.com\\\/v2\\\/wp-content\\\/uploads\\\/2024\\\/08\\\/Sony_AV-3400_Porta_Pak_Camera.jpg\",\"contentUrl\":\"https:\\\/\\\/www.bfvpp.com\\\/v2\\\/wp-content\\\/uploads\\\/2024\\\/08\\\/Sony_AV-3400_Porta_Pak_Camera.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/en\\\/conversations\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.bfvpp.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Conversations\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/#website\",\"url\":\"https:\\\/\\\/www.bfvpp.com\\\/\",\"name\":\"Brazilian Film & Video Preservation Project\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.bfvpp.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/#organization\",\"name\":\"Brazilian Film & Video Preservation Project\",\"url\":\"https:\\\/\\\/www.bfvpp.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.bfvpp.com\\\/v2\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/7.png\",\"contentUrl\":\"https:\\\/\\\/www.bfvpp.com\\\/v2\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/7.png\",\"width\":320,\"height\":320,\"caption\":\"Brazilian Film & Video Preservation Project\"},\"image\":{\"@id\":\"https:\\\/\\\/www.bfvpp.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.instagram.com\\\/bfvpp_off\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Conversations - Brazilian Film &amp; Video Preservation Project","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.bfvpp.com\/en\/conversations\/","og_locale":"en_US","og_type":"article","og_title":"Conversations - Brazilian Film &amp; Video Preservation Project","og_description":"This distinctive historical material documents legendary eye-witnesses. They reflect on the emergence of Brazilian video art, the artists\u2019 covert responses to socio-political circumstances and their quests to cultivate an inclusive national identity. Arlindo Machado(Brazilian,1949-2020) was a progressive S\u00e3o Paulo-based curator, critic and professor and among the first Brazilians to endorse the fine arts applications of [&hellip;]","og_url":"https:\/\/www.bfvpp.com\/en\/conversations\/","og_site_name":"Brazilian Film &amp; Video Preservation Project","article_modified_time":"2026-05-29T13:24:55+00:00","og_image":[{"width":565,"height":310,"url":"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/08\/Sony_AV-3400_Porta_Pak_Camera.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.bfvpp.com\/en\/conversations\/","url":"https:\/\/www.bfvpp.com\/en\/conversations\/","name":"Conversations - Brazilian Film &amp; Video Preservation Project","isPartOf":{"@id":"https:\/\/www.bfvpp.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.bfvpp.com\/en\/conversations\/#primaryimage"},"image":{"@id":"https:\/\/www.bfvpp.com\/en\/conversations\/#primaryimage"},"thumbnailUrl":"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/08\/Sony_AV-3400_Porta_Pak_Camera.jpg","datePublished":"2024-05-02T08:38:49+00:00","dateModified":"2026-05-29T13:24:55+00:00","breadcrumb":{"@id":"https:\/\/www.bfvpp.com\/en\/conversations\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.bfvpp.com\/en\/conversations\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.bfvpp.com\/en\/conversations\/#primaryimage","url":"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/08\/Sony_AV-3400_Porta_Pak_Camera.jpg","contentUrl":"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2024\/08\/Sony_AV-3400_Porta_Pak_Camera.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.bfvpp.com\/en\/conversations\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.bfvpp.com\/"},{"@type":"ListItem","position":2,"name":"Conversations"}]},{"@type":"WebSite","@id":"https:\/\/www.bfvpp.com\/#website","url":"https:\/\/www.bfvpp.com\/","name":"Brazilian Film & Video Preservation Project","description":"","publisher":{"@id":"https:\/\/www.bfvpp.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.bfvpp.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.bfvpp.com\/#organization","name":"Brazilian Film & Video Preservation Project","url":"https:\/\/www.bfvpp.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.bfvpp.com\/#\/schema\/logo\/image\/","url":"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2023\/12\/7.png","contentUrl":"https:\/\/www.bfvpp.com\/v2\/wp-content\/uploads\/2023\/12\/7.png","width":320,"height":320,"caption":"Brazilian Film & Video Preservation Project"},"image":{"@id":"https:\/\/www.bfvpp.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.instagram.com\/bfvpp_off\/"]}]}},"_links":{"self":[{"href":"https:\/\/www.bfvpp.com\/en\/wp-json\/wp\/v2\/pages\/3449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bfvpp.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bfvpp.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bfvpp.com\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bfvpp.com\/en\/wp-json\/wp\/v2\/comments?post=3449"}],"version-history":[{"count":5,"href":"https:\/\/www.bfvpp.com\/en\/wp-json\/wp\/v2\/pages\/3449\/revisions"}],"predecessor-version":[{"id":5721,"href":"https:\/\/www.bfvpp.com\/en\/wp-json\/wp\/v2\/pages\/3449\/revisions\/5721"}],"wp:attachment":[{"href":"https:\/\/www.bfvpp.com\/en\/wp-json\/wp\/v2\/media?parent=3449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}