{"id":5493,"date":"2024-12-20T13:54:35","date_gmt":"2024-12-20T16:54:35","guid":{"rendered":"https:\/\/www.bfvpp.com\/?page_id=5493"},"modified":"2024-12-20T13:54:38","modified_gmt":"2024-12-20T16:54:38","slug":"conversation-credits-regina-silveira","status":"publish","type":"page","link":"https:\/\/www.bfvpp.com\/en\/conversation-credits-regina-silveira\/","title":{"rendered":"Conversation Credits : Regina Silveira"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"conversa-creditos-regina-silveira\"><strong>Conversa creditos : <\/strong>Regina Silveira<\/h2>\n\n\n\n<p>2019<br>Brazil<br>31\u201928\u201d color, sound<\/p>\n\n\n\n<p><br><strong>Cria\u00e7\u00e3o e supervis\u00e3o do BFVPP<\/strong>: Vivian Ostrovsky<br><strong>Dire\u00e7\u00e3o de set e argumento de grava\u00e7\u00e3o:<\/strong> Clarisse Rivera<br><strong>Dire\u00e7\u00e3o de fotografia:<\/strong> Louise Botkay<br><strong>Som direto:<\/strong> Altyr Pereira<br><strong>Montagem:<\/strong> Alice Furtado<br><strong>Edi\u00e7\u00e3o de som e mixagem:<\/strong> Bernardo Girauta<br><strong>Consultoria:<\/strong> Marisa Fl\u00f3rido, Kelly Gordon<br><strong>Produ\u00e7\u00e3o:<\/strong> Joice Scavone, Paula Lacerda<br><strong>Pesquisa e licenciamento:<\/strong> Alexandre Gouin<br><strong>Assist\u00eancia t\u00e9cnica<\/strong>: Beatriz Lira<br><strong>Assist\u00eancia administrativa<\/strong>: Luana Cabral<br><strong>Assist\u00eancia de montagem:<\/strong> Alexandre Gouin<br><strong>Estagi\u00e1ria<\/strong>: Caroline Nascimento<br><strong>Assessoria jur\u00eddica:<\/strong> Lemos Assessoria<br><strong>Motorista:<\/strong> Paulo Top Van<br><strong>Equipamento:<\/strong> L\u00fadica Produ\u00e7\u00f5es<br><strong>Seguro<\/strong>: Pedro Barros Seguros<\/p>\n\n\n\n<p><strong>Films &amp; V\u00eddeos<\/strong><\/p>\n\n\n\n<p><strong>Autora:\u00a0<\/strong>Regina Silveira<br><strong>Obra:<\/strong>\u00a0Campo<strong>Data: <\/strong>1976<br><strong>Obra:<\/strong>\u00a0Objetoculto <strong>Data: <\/strong>1976<br><strong>Obra:<\/strong>\u00a0Artif\u00edcio <strong>Data: <\/strong>1977<br><strong>Obra:<\/strong>\u00a0Videologia <strong>Data: <\/strong>1978<br><strong>Obra:<\/strong>\u00a0A arte de desenhar <strong>Data:<\/strong> 1980<br><strong>Obra:<\/strong>\u00a0Morfas <strong>Data:<\/strong> 1981<br><strong>Obra:<\/strong>\u00a0Una vez mas <strong>Data:<\/strong> 2012<br><strong>Obra:<\/strong>\u00a0Odisseia <strong>Data:<\/strong> 2017<br><strong>Autor:\u00a0<\/strong>Joseph Beuys<strong><br>Obra:<\/strong>\u00a0Filz TV <strong>Data:<\/strong> 1970 <strong>Autor:\u00a0<\/strong>Wolf Vostell<strong><br>Obra:<\/strong>\u00a0Sun in your Head <strong>Data:<\/strong> 1963<\/p>\n\n\n\n<p><strong>Autor:<\/strong>&nbsp;Peter Campus<strong><br>Obra:<\/strong>&nbsp;Three transitions<br><strong>Data:<\/strong> 1973<\/p>\n\n\n\n<p><strong>Autor:<\/strong>&nbsp;Nam June Paik<strong><br>Obra:<\/strong>&nbsp;Global Groove<br><strong>Data:<\/strong> 1973<\/p>\n\n\n\n<p><strong>Imagens fixas<\/strong><\/p>\n\n\n\n<p><strong>Autora:<\/strong> Regina Silveira<br><strong>Obra:<\/strong> Middle Class &amp; Co.<br><strong>Data:<\/strong> 1972<br><strong>Obra:<\/strong> Armadilha para executivos I<br><strong>Data:<\/strong> 1974<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Mesa executiva I<br><strong>Data:<\/strong> 1975<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Mesa executiva II<br><strong>Data:<\/strong> 1975<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Destrutura para Executivos II<br><strong>Data:<\/strong> 1975<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Executivas<br><strong>Data:<\/strong> 1977<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Anamorfas<br><strong>Data:<\/strong> 1980<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Para Liz\u00e1rraga<br><strong>Data:<\/strong> 1981<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Sombras<br><strong>Data:<\/strong> 1981<\/p>\n\n\n\n<p><strong>Obra:<\/strong> A arte de desenhar<br><strong>Data:<\/strong> 1982<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Democrart<br><strong>Data:<\/strong> 1983<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Encuentro<br><strong>Data:<\/strong> 1991<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Gancho<br><strong>Data:<\/strong> 2005<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Post Scriptum<br><strong>Data:<\/strong> 2008<\/p>\n\n\n\n<p><strong>Obra:<\/strong> Plugged 3<br><strong>Data:<\/strong> 2011<\/p>\n\n\n\n<p><strong>Autor:<\/strong> Gerson Zanini<br><strong>Obra:<\/strong> Biscoito Arte<br><strong>Data:<\/strong> 1976<\/p>\n\n\n\n<p><strong>Autor:<\/strong> Hermann Landshoff<br><strong>Obra:<\/strong> Marcel Duchamp&#8217;s Large Glass<br><strong>Data:<\/strong> 1954<\/p>\n\n\n\n<p><strong>Autor:<\/strong> Mark Kaufmann<br><strong>Obra:<\/strong> Marcel Duchamp behind The Large Glass<br><strong>Data:<\/strong> 1965<strong>Autor:<\/strong> R. B. Kitaj<br><strong>Obra:<\/strong> Boys and Girls!<br><strong>Data:<\/strong> 1963<\/p>\n\n\n\n<p><strong>Autor:<\/strong> R. B. Kitaj<br><strong>Obra:<\/strong> Addled Art Minor Works VI (State 2)<br><strong>Data:<\/strong> 1975<\/p>\n\n\n\n<p><strong>Autor:<\/strong> Richard Hamilton<br><strong>Obra:<\/strong> Interior<br><strong>Data:<\/strong> 1964-1965<\/p>\n\n\n\n<p><strong>Autor:<\/strong> Richard Hamilton<br><strong>Obra:<\/strong> My Marilyn (Lullin 58)<br><strong>Data:<\/strong> 1965<\/p>\n\n\n\n<p><strong>Agradecimentos Especiais<br><br><\/strong>Regina Silveira<\/p>\n\n\n\n<p>Solange Farkas, Van Fresnot<br>Associa\u00e7\u00e3o Cultural Videobrasil, SP<\/p>\n\n\n\n<p><strong>Agradecimentos<\/strong><\/p>\n\n\n\n<p>Aline Mylius<br>Angelica de Moraes<br>Arquivo Nacional<br>Bruno Say\u00e3o<br><br>Claudia Saldanha<br>Editora da Universidade de S\u00e3o Paulo<br>Eia Vasconcelos<br>Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo<br>Instituto de Arte Contempor\u00e2nea<br>Jooyoung Friedman-Buchanan<br>Ken Hakuta<br>Maria Byington<br>Mar\u00edlia Bovo Lopes<br>Museu da Imagem e do Som de S\u00e3o Paulo<br>Museu de Arte Contempor\u00e2nea (MAC)<br>Nam June Paik Estate<br>Philadelphia Museum of Art<br>Rafael Amorim<br>R. B. Kitaj Studio Project<br>Sergio Pranzl<br>Sylvio Eduardo Novello<br>Tania Queiroz<br>Tracy Bartley<br>Vieira Rezende Advogados<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>00&#8217;32 \u2013 A arte de desenhar. Regina Silveira, 1980<\/p>\n\n\n\n<p>01&#8217;43 \u2013 Videologia. Regina Silveira, 1978<\/p>\n\n\n\n<p>01&#8217;54 \u2013 Filz TV. Joseph Beuyz, 1970<\/p>\n\n\n\n<p>01&#8217;59 \u2013 Sun in your head. Wolf Vostell, 1963<\/p>\n\n\n\n<p>02&#8217;19 \u2013 Three transitions. Peter Campus, 1973<\/p>\n\n\n\n<p>02&#8217;27 \u2013 Global Groove. Nam June Paik, 1973<\/p>\n\n\n\n<p>03&#8217;04 \u2013 Campo. Regina Silveira, 1976<\/p>\n\n\n\n<p>06&#8217;21 \u2013 Boys and Girls! R. B. Kitaj, 1964<\/p>\n\n\n\n<p>06&#8217;25 \u2013 Interior. Richard Hamilton, 1964-1965<\/p>\n\n\n\n<p>06&#8217;21 \u2013 Addled Art Minor Works VI (State 2). R. B. Kitaj, 1975<\/p>\n\n\n\n<p>06&#8217;31 \u2013 My Marilyn. Richard Hamilton, 1965<\/p>\n\n\n\n<p>07&#8217;20 \u2013 Objetoculto. Regina Silveira, 1976<\/p>\n\n\n\n<p>08&#8217;20 \u2013 Artif\u00edcio. Regina Silveira, 1977<\/p>\n\n\n\n<p>09&#8217;19 &#8211; Marcel Duchamp behind The Large Glass. Mark Kaufmann, 1965<\/p>\n\n\n\n<p>09&#8217;27 &#8211; Marcel Duchamp\u2019s Large Glass. Hermann Landshoff, 1954<\/p>\n\n\n\n<p>09&#8217;34 &#8211;&nbsp; Marcel Duchamp playing chess. Arnold T. Rosenberg, 1958<\/p>\n\n\n\n<p>09&#8217;42 &#8211; \u00c9tant donn\u00e9s. Marcel Duchamp, 1963<\/p>\n\n\n\n<p>13&#8217;04 \u2013 Morfas. Regina Silveira, 1981<\/p>\n\n\n\n<p>19&#8217;25 \u2013 Videologia. Regina Silveira, 1978<\/p>\n\n\n\n<p>22&#8217;15 \u2013 Una vez mas. Regina Silveira, 2012<\/p>\n\n\n\n<p>24&#8217;56 \u2013 A arte de desenhar. Regina Silveira, 1980<\/p>\n\n\n\n<p>28&#8217;34 \u2013 Odisseia. Regina Silveira, 2017<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conversa creditos : Regina Silveira 2019Brazil31\u201928\u201d color, sound Cria\u00e7\u00e3o e supervis\u00e3o do BFVPP: Vivian OstrovskyDire\u00e7\u00e3o de set e argumento de grava\u00e7\u00e3o: Clarisse RiveraDire\u00e7\u00e3o de fotografia: Louise BotkaySom direto: Altyr PereiraMontagem: Alice FurtadoEdi\u00e7\u00e3o de som e mixagem: Bernardo GirautaConsultoria: Marisa Fl\u00f3rido, Kelly GordonProdu\u00e7\u00e3o: Joice Scavone, Paula LacerdaPesquisa e licenciamento: Alexandre GouinAssist\u00eancia t\u00e9cnica: Beatriz LiraAssist\u00eancia administrativa: Luana [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_gspb_post_css":"","footnotes":""},"class_list":["post-5493","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Conversation Credits : Regina Silveira - Brazilian Film &amp; 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