{"id":864,"date":"2022-08-12T16:59:40","date_gmt":"2022-08-12T19:59:40","guid":{"rendered":"https:\/\/www.bfvpp.com\/?page_id=864"},"modified":"2024-12-17T10:37:11","modified_gmt":"2024-12-17T13:37:11","slug":"conversation-credits-anna-bella-geiger","status":"publish","type":"page","link":"https:\/\/www.bfvpp.com\/en\/conversation-credits-anna-bella-geiger\/","title":{"rendered":"Conversation credits Anna Bella Geiger"},"content":{"rendered":"\n
\n

Conversation credits: Anna Bella Geiger<\/h1>\n\n\n\n

2019
Brazil
25\u2019, color, sound
<\/p>\n\n\n\n

Synopsis<\/strong>
During the 1970s, Anna Bella Geiger, together with a group of artists, pioneered the use of video as a language and medium. Her impact also stems from her multidisciplinary work and her political and social activism. In this audiovisual essay Geiger discusses her newly preserved videos from the 1970s. The essay is illustrated with extracts of videos from 1973 and 1974, as well as other related documents and artworks from the period. Produced with participation of the Brazilian Film and Video Preservation Project, sponsored by the Ostrovsky Family Fund.<\/p>\n\n\n\n

Credits<\/strong>
Director:<\/strong> Vivian Ostrovsky
Set director, shooting script:<\/strong> Clarisse Rivera
Director of photography:<\/strong> Louise Botkay
Direct sound:<\/strong> Altyr Pereira
Editor:<\/strong> Ruth Gadish
Consulting, curatorship, texts:<\/strong> Marisa Fl\u00f3rido, Kelly Gordon
Production:<\/strong> Adriana Avelar, Joice Scavone, Paula Lacerda
Research and copyright clearance:<\/strong> Alexandre Gouin, Mila Lo Bianco, J\u00falia Zylbersztajn and Patr\u00edcia Pamplona
Sound mixing:<\/strong> Damien Garcia, Sharon Shama
Color correction:<\/strong> Steve Sebban
Animation:<\/strong> Rivka Louvart de Pontlevoye
Adicional editing:<\/strong> Alexandre Gouin
Production Assistant:<\/strong> Caroline Nascimento
Legal advisory:<\/strong> Gustavo Martins, Lemos Assessoria
Driver:<\/strong> Lula Casado
Equipment:<\/strong> Apoio Seguros, Peixe Voador Produ\u00e7\u00f5es
Trainee:<\/strong> Caroline Nascimento
Administrative support:<\/strong> Luana Cabral
Translator:<\/strong> Pedro Mendes<\/p>\n\n\n\n

Musics<\/strong><\/h3>\n\n\n\n

Author: <\/strong>Andr\u00e9 Abujamra
\nWork:<\/strong> Alma n\u00e3o tem cor<\/em>
\nYear:<\/strong> <\/em>1995
\nPerformance:<\/strong> Chico C\u00e9sar
\nRecord Label: <\/strong>Est\u00fadio e Gravadora Gale\u00e3o
\nPublisher: <\/strong>Spin Music<\/p>\n\n\n\n

Author: <\/strong>Ant\u00f4nio C\u00edcero e Marina Lima
\nWork: <\/strong>Anna Bella <\/em>
\nYear: <\/strong>2006
\nPerformance:<\/strong> Marina Lima
\nRecord Label: <\/strong>Fullgass
\nPublisher: <\/strong>Sony Music Publishing<\/p>\n\n\n\n

Author: <\/strong>Chico Buarque \/ Gilberto Gil
\nWork: <\/strong>C\u00e1lice
\n<\/em>Year:<\/strong> 1978
\nPerformance: <\/strong>Chico Buarque \/ Milton Nascimento
\nRecord Label: <\/strong>Universal Music
\nPublisher: <\/strong>Marola \/ Gege<\/p>\n\n\n\n

Author: <\/strong>Chico Buarque \/ Francis Hime
\nWork: <\/strong>Meu Caro Amigo
\n<\/em>Year:<\/strong> <\/em>1976
\nPerformance: <\/strong>Chico Buarque
\nRecord Label: <\/strong>Universal Music
\nPublisher: <\/strong>Marola \/ Nossa M\u00fasica<\/p>\n\n\n\n

Author: <\/strong>Chico Science, Jorge du Peixe e H.D. Mabuse
\nWork: <\/strong>O Encontro De Isaac Asimov Com Santos Dumont No Ce\u0301u<\/em>
\nYear:<\/strong> <\/em>1991
\nPerformance:<\/strong> Chico Science & Na\u00e7\u00e3o Zumbi
\nRecord Label: <\/strong>Sony Music
\nPublisher: <\/strong>Sony Music Publishing<\/p>\n\n\n\n

Author:<\/strong> Emil Schult, Florian Schneider, Ralf H\u00fctter
\nWork: <\/strong>Autobahn<\/em>
\nYear: <\/strong>1974
\nPerformance:<\/strong> Kraftwerk
\nRecord Label: <\/strong>Warner Music Group
\nPublisher: <\/strong>Sony Music Publishing<\/p>\n\n\n\n

Author: <\/strong>Erikm
\nWork: <\/strong>Ressac<\/em>
\nYear:<\/strong> <\/em>1991
\nPerformance:<\/strong> Erikm<\/p>\n\n\n\n

Author: <\/strong>Ernesto Nazareth
\n<\/em>Work: <\/strong>Apanhei-te cavaquinho
\n<\/em>Year:<\/strong> <\/em>1914
\nPerformance:<\/strong> Carcoarco<\/p>\n\n\n\n

Author:<\/strong> Hugues Le Bars
\n<\/em>Work: <\/strong>Valse Montana<\/em> e Jeu d’e\u0301chec<\/em>
\nYear:<\/strong> <\/em>1991
\nPerformance: <\/strong>Hugues Le Bars
\nRecord Label: <\/strong>Nocturne
\nPublisher: <\/strong>Nocturne<\/p>\n\n\n\n

Author:<\/strong> Jo\u00e3o Bosco
\nWork: <\/strong>Benguel\u00ea<\/em>
\nYear: <\/strong>1998
\nPerformance:<\/strong> Jo\u00e3o Bosco
\nPublisher: <\/strong>Sony Music Publishing<\/p>\n\n\n\n

Author: <\/strong>Jorge Monsalvo
\nWork: <\/strong>Virgem Negra<\/em>
\nYear:<\/strong> <\/em>1987
\nPerformance:<\/strong> Los Chaynas
\nRecord Label:<\/strong> INDICA (Industria de Discos Centroamericana)
\nPublisher: <\/strong>INDICA (Industria de Discos Centroamericana)<\/p>\n\n\n\n

Author: <\/strong>Jos\u00e9 Eduardo Gramani
\nWork:<\/strong> Viva Raimundo<\/em>
\nYear:<\/strong> <\/em>1991
\nPerformance:<\/strong> Carcoarco<\/p>\n\n\n\n

Films and Videos<\/strong><\/h3>\n\n\n\n

Author: <\/strong>Anna Bella Geiger
\nWork:<\/strong> Passagens 1
\n<\/em>Year:<\/strong> 1974<\/p>\n\n\n\n

Author: <\/strong>Anna Bella Geiger
\nWork:<\/strong> Passagens 2
\n<\/em>Year: <\/strong>1974<\/p>\n\n\n\n

Author: <\/strong>Anna Bella Geiger
\nWork:<\/strong> Centerminal
\n<\/em>Year: <\/strong>1974<\/p>\n\n\n\n

Author: <\/strong>Anna Bella Geiger
\nWork:<\/strong> Declarac\u0327a\u0303o em retrato 1
\n<\/em>Year: <\/strong>1974<\/p>\n\n\n\n

Author: <\/strong>Anna Bella Geiger
\nWork:<\/strong> Declarac\u0327a\u0303o em retrato 2
\n<\/em>Year: <\/strong>1976<\/p>\n\n\n\n

Author: <\/strong>Anna Bella Geiger
\nWork:<\/strong> Mapas elementares 1
\n<\/em>Year: <\/strong>1976<\/p>\n\n\n\n

Author: <\/strong>Anna Bella Geiger
\nWork:<\/strong> Mapas elementares 3
\n<\/em>Year: <\/strong>1976<\/p>\n\n\n\n

Author: <\/strong>Anna Bella Geiger
\nWork:<\/strong> Local da ac\u0327\u00e3o
\n<\/em>Year: <\/strong>1978<\/p>\n\n\n\n

Author: <\/strong>Anna Bella Geiger
\nWork:<\/strong> Quase mapa, quase mancha
\n<\/em>Year: <\/strong>1981<\/p>\n\n\n\n

Author: <\/strong>Anna Bella Geiger
\nWork:<\/strong> Out of control
\n<\/em>Year: <\/strong>2002<\/p>\n\n\n\n

Authors: <\/strong> Ana Vitoria Mussi, Anna Bella Geiger, Fernando F.Cocchiarale,
\nIvens Machado, Leticia T.S Parente, Miriam Danowski, Paulo E.Herkenhoff e Sonia Andrade
\nWork: <\/strong>Telefone sem fio<\/em>
\nYear: <\/strong>1976<\/p>\n\n\n\n

Author:<\/strong> Nam June Paik
\nWork:<\/strong> TV Fish<\/em>
\nYear:<\/strong> 1979<\/p>\n\n\n\n

Author:<\/strong> Paulo Herkenhoff
\nWork:<\/strong> Est\u00f4mago Embrulhado<\/em>
\nYear:<\/strong> 1975<\/p>\n\n\n\n

Stills
\n<\/strong><\/h3>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> Lixo no aterro
\nYear:<\/strong> 1971<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> Arenas – Exposi\u00e7\u00e3o Circumambulatio
\nPhotograph:<\/strong> Thomas Lewinsohn
\nYear:<\/strong> 1972<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> Registro de um dia de trabalho com o trator – Exposi\u00e7\u00e3o Circumambulatio
\nPhotograph:<\/strong> Thomas Lewinsohn
\nYear:<\/strong> 1972<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> O todo
\nYear:<\/strong> 1974<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> Macios (s\u00e9rie)
\nYear:<\/strong> 1974<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> Passagens (negativo e positivo)
\nPhotograph:<\/strong> Paula Gerson
\nYear:<\/strong> 1975<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> Fotomontagem Passagens
\nPhotograph:<\/strong> Paula Gerson
\nYear:<\/strong> 1975<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> Arte e decora\u00e7\u00e3o (s\u00e9rie)
\nYear:<\/strong> 1975<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> Hist\u00f3ria do Brasil: little boys & girls (s\u00e9rie)
\nYear:<\/strong> 1975<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> Brasil nativo-Brasil alien\u00edgena
\nPhotograph:<\/strong> Luiz Carlos Velho
\nYear:<\/strong> 1977<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> O Novo Atlas 1
\nYear:<\/strong> 1977<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> Vari\u00e1veis
\nYear:<\/strong> 1977<\/p>\n\n\n\n

Author:<\/strong> Anna Bella Geiger
\nWork:<\/strong> O p\u00e3o nosso de cada dia
\nPhotograph:<\/strong> Janu\u00e1rio Garcia
\nYear:<\/strong> 1978<\/p>\n\n\n\n

Author:<\/strong> Jos\u00e9 Bina Fonyat Neto
\nWork:<\/strong> Foto de capa da Revista Malasartes n\u00ba 2
\nYear:<\/strong> 1976<\/p>\n\n\n\n

Title:<\/strong> 16a Bienal de S\u00e3o Paulo; Registro do evento.
\nAuthor:<\/strong> Ag\u00eancia Estado
\nYear:<\/strong> 1975<\/p>\n\n\n\n

Title:<\/strong> O historiador, cr\u00edtico de arte e curador Walter Zanini, durante entrevista.
\nPhotograph:<\/strong> Ovidio Vieira\/Folhapress
\nYear:<\/strong> 1983<\/p>\n\n\n\n

Author:<\/strong> Peter Moore
\nWork:<\/strong> Paik installing Fish Flies
\n<\/em>Year:<\/strong> 1976
\nArchive:<\/strong> Northwestern University<\/p>\n\n\n\n

Work:<\/strong> Cat\u00e1logo do 1\u00ba Encontro Internacional de Video-arte de S\u00e3o Paulo
\nYear:<\/strong> 1978
\nArchive:<\/strong> Institute of Contemporary Art of the University of Pennsylvania (ICA)<\/p>\n\n\n\n

Work:<\/strong> Circumambulatio MAM
\nArchive:<\/strong> MAM<\/p>\n\n\n\n

Work:<\/strong> Imagens de publicidade e propaganda da c\u00e2mera Sony Portapak
\nArchive:<\/strong> Sony<\/p>\n\n\n\n

Work:<\/strong> \u00c1udio do  programa de r\u00e1dio Rep\u00f3rter Esso
\nYear:<\/strong> 1968
\nArchive:<\/strong> R\u00e1dio Globo RJ<\/p>\n\n\n\n

Work:<\/strong> Images et symboles de Mircea Eliade
\n\u00a9 Editions Gallimard, 1952, renovada em 1980<\/p>\n\n\n\n

Evandro Teixeira\/ Instituto Moreira Salles
\nMarcel Gautherot\/Acervo MAM\/Copyright Instituto Moreira Salles<\/p>\n\n\n\n

Special thanks
\n<\/strong><\/h3>\n\n\n\n

Anna Bella Geiger<\/p>\n\n\n\n

Solange Farkas, Van Fresnot
\nAssocia\u00e7\u00e3o Cultural Videobrasil, SP<\/p>\n\n\n\n

Lori Zippay, Jon Dieringer
\nElectronic Arts Intermix<\/p>\n\n\n\n

Thanks<\/strong><\/h3>\n\n\n\n

Ana Hortides
\nCinemateca do MAM
\nCTAv
\nHeitor Peralles
\nHernani Heffner
\nIole de Freitas
\nJom Tob Azulay
\nJulio Augusto
\nMaria Byington
\nPeixe Voador Produ\u00e7\u00f5es
\nRafael Amorim
\nRosalina Gouveia
\nRos\u00e2ngela Sodr\u00e9
\nSergio Pranzl
\nSylvio Eduardo Novello
\n<\/strong>Tania Cypriano
\nTania Queiroz
\nVieira Rezende Advogados
\nZucca Produ\u00e7\u00f5es<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Conversation credits: Anna Bella Geiger 2019Brazil25\u2019, color, sound SynopsisDuring the 1970s, Anna Bella Geiger, together with a group of artists, pioneered the use of video as a language and medium. Her impact also stems from her multidisciplinary work and her political and social activism. In this audiovisual essay Geiger discusses her newly preserved videos from […]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_gspb_post_css":"","footnotes":""},"class_list":["post-864","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nConversation credits Anna Bella Geiger - Brazilian Film & Video Preservation Project<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bfvpp.com\/en\/conversation-credits-anna-bella-geiger\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conversation credits Anna Bella Geiger - Brazilian Film & Video Preservation Project\" \/>\n<meta property=\"og:description\" content=\"Conversation credits: Anna Bella Geiger 2019Brazil25\u2019, color, sound SynopsisDuring the 1970s, Anna Bella Geiger, together with a group of artists, pioneered the use of video as a language and medium. 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